Pedals that stack with the Strymon BigSky

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon BigSky after Subdecay Liquid Sunshine MKIII in the signal chain, clear of Subdecay Liquid Sunshine MKIII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Strymon BigSky after Spermophilus Effects Hypertonia Compressor in the signal chain, where it won't crowd Spermophilus Effects Hypertonia Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Strymon BigSky after Matthews Effects The Klone in the signal chain, clear of Matthews Effects The Klone's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon BigSky after Mutable Instruments Clouds in the signal chain, clear of Mutable Instruments Clouds's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon BigSky after Xotic SD in the signal chain, clear of Xotic SD's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Strymon BigSky after Demon FX Super Symmetry Compressor in the signal chain, where it won't crowd Demon FX Super Symmetry Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Strymon BigSky's ambient voice goes after Origin Effects Deluxe55 Tweed Recreation in the signal chain — it's not there to compete with Origin Effects Deluxe55 Tweed Recreation's own edge of breakup character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Demon FX CK Compressor's compressed voice out front: Strymon BigSky goes after Demon FX CK Compressor in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon BigSky after DSM & Humboldt Electronics Sub-Atomic X-Over Cmos Bass Preamp in the signal chain, clear of DSM & Humboldt Electronics Sub-Atomic X-Over Cmos Bass Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Strymon BigSky's ambient voice goes after TC Electronic Sub 'N' Up Mini in the signal chain — it's not there to compete with TC Electronic Sub 'N' Up Mini's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Strymon BigSky after T-Rex Comp-Nova in the signal chain, where it won't crowd T-Rex Comp-Nova

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Strymon BigSky's ambient voice goes after Lazy Bear Effects High Pass Filter in the signal chain — it's not there to compete with Lazy Bear Effects High Pass Filter's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Strymon BigSky after Empress Compressor Mk II in the signal chain, where it won't crowd Empress Compressor Mk II

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon BigSky after EarthQuaker Devices Buffer/Preamp Total Tone Preservation in the signal chain, clear of EarthQuaker Devices Buffer/Preamp Total Tone Preservation's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon BigSky after Empress Para EQ DLX in the signal chain, where it won't crowd Empress Para EQ DLX

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Voodoo Lab Sparkle Drive's transparent voice out front: Strymon BigSky goes after Voodoo Lab Sparkle Drive in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Strymon BigSky's ambient voice goes after Jackson Audio Bloom V2 (Silver) in the signal chain — it's not there to compete with Jackson Audio Bloom V2 (Silver)'s own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Strymon BigSky's ambient voice goes after Attic FX JFET Boost in the signal chain — it's not there to compete with Attic FX JFET Boost's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Strymon BigSky's ambient voice goes after Electronic Audio Experiments Halberd V2.5 in the signal chain — it's not there to compete with Electronic Audio Experiments Halberd V2.5's own high headroom character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Strymon BigSky's ambient voice goes after Orange Kongpressor in the signal chain — it's not there to compete with Orange Kongpressor's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Strymon BigSky after Providence HBL-4 in the signal chain, clear of Providence HBL-4's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Strymon BigSky after DigiTech DOD Overdrive Preamp 250X in the signal chain, clear of DigiTech DOD Overdrive Preamp 250X's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Strymon BigSky after Behringer UT100 in the signal chain, where it won't crowd Behringer UT100

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Strymon BigSky after Morley MO MT Pwov in the signal chain, where it won't crowd Morley MO MT Pwov

Comes earlier in the signal chain