Amps that pair well with the Suhr Discovery
← everything about the Suhr Discovery
All 32 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Marshall Super Bass
Marshall
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Comes earlier in the signal chain
Fender Deluxe Reverb
Fender
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Fender Deluxe Reverb after it and the warm edge settles into something more bright
Comes earlier in the signal chain
Randall Lynch Box
Randall
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Suhr Discovery in Randall Lynch Box's effects loop, clear of Randall Lynch Box's own gain stage
Comes earlier in the signal chain
Marshall JCM800 2205 50-Watt Amplifier Head
Marshall
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Suhr Discovery in Marshall JCM800 2205 50-Watt Amplifier Head's effects loop, clear of Marshall JCM800 2205 50-Watt Amplifier Head's own gain stage
Comes earlier in the signal chain
1976 Marshall 1959 Super Lead
Marshall
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Suhr Discovery in 1976 Marshall 1959 Super Lead's effects loop, clear of 1976 Marshall 1959 Super Lead's own gain stage
Comes earlier in the signal chain
EVH 5150 III
Evh
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Suhr Discovery's warm voice goes in EVH 5150 III's effects loop — it's not there to compete with EVH 5150 III's own high gain character
Comes earlier in the signal chain
Marshall YJM100 Head
Marshall
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Marshall YJM100 Head's pristine voice out front: Suhr Discovery goes in Marshall YJM100 Head's effects loop so its warm voice doesn't muddy it
Comes earlier in the signal chain
EVH 410
Evh
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Suhr Discovery in EVH 410's effects loop, clear of EVH 410's own gain stage
Comes earlier in the signal chain
Randall RG100ES
Randall
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Suhr Discovery in Randall RG100ES's effects loop, clear of Randall RG100ES's own gain stage
Comes earlier in the signal chain
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube
Engl
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Suhr Discovery in Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's effects loop, clear of Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's own gain stage
Comes earlier in the signal chain
Soldano X88
Soldano
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Suhr Discovery's warm voice goes in Soldano X88's effects loop — it's not there to compete with Soldano X88's own high gain character
Comes earlier in the signal chain
Díaz CD-100 Amp Head
Diaz
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Suhr Discovery in Díaz CD-100 Amp Head's effects loop, clear of Díaz CD-100 Amp Head's own gain stage
Comes earlier in the signal chain
Soldano SLO-30 2-Channel 30W 1x12 Combo
Soldano
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Suhr Discovery in Soldano SLO-30 2-Channel 30W 1x12 Combo's effects loop, clear of Soldano SLO-30 2-Channel 30W 1x12 Combo's own gain stage
Comes earlier in the signal chain
Marshall 2203KK Kerry King JCM800
Marshall
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Suhr Discovery's warm voice goes in Marshall 2203KK Kerry King JCM800's effects loop — it's not there to compete with Marshall 2203KK Kerry King JCM800's own crunchy character
Comes earlier in the signal chain
Mesa Boogie Stiletto Deuce 50/100W Tube Head
Mesa Boogie
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Suhr Discovery in Mesa Boogie Stiletto Deuce 50/100W Tube Head's effects loop, clear of Mesa Boogie Stiletto Deuce 50/100W Tube Head's own gain stage
Comes earlier in the signal chain
Vox AC30 Rose Morris 80s
amplifier
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Suhr Discovery's warm voice goes in Vox AC30 Rose Morris 80s's effects loop — it's not there to compete with Vox AC30 Rose Morris 80s's own mid-forward character
Comes earlier in the signal chain
Marshall JVM210H Head
Marshall
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Suhr Discovery in Marshall JVM210H Head's effects loop, clear of Marshall JVM210H Head's own gain stage
Comes earlier in the signal chain
Orange Gain Baby 100
Orange
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Orange Gain Baby 100's high gain voice out front: Suhr Discovery goes in Orange Gain Baby 100's effects loop so its warm voice doesn't muddy it
Comes earlier in the signal chain
Gallien-Krueger MB115MK2
Gallien Krueger
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Suhr Discovery in Gallien-Krueger MB115MK2's effects loop, clear of Gallien-Krueger MB115MK2's own gain stage
Comes earlier in the signal chain
Friedman Plex Head with 4x12 Cabinet
Friedman
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Suhr Discovery in Friedman Plex Head with 4x12 Cabinet's effects loop, clear of Friedman Plex Head with 4x12 Cabinet's own gain stage
Comes earlier in the signal chain
Egnater Renegade 65 4x10 Combo
Egnater
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Suhr Discovery's warm voice goes in Egnater Renegade 65 4x10 Combo's effects loop — it's not there to compete with Egnater Renegade 65 4x10 Combo's own mid-forward character
Comes earlier in the signal chain
Bad Cat *PRE Order* Hot Cat Head
Bad Cat
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Suhr Discovery's warm voice goes in Bad Cat *PRE Order* Hot Cat Head's effects loop — it's not there to compete with Bad Cat *PRE Order* Hot Cat Head's own transparent character
Comes earlier in the signal chain
Marshall DSL100H
Marshall
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Suhr Discovery in Marshall DSL100H's effects loop, clear of Marshall DSL100H's own gain stage
Comes earlier in the signal chain
3rd Power Phantom Dragon 45
3rd Power
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Suhr Discovery in 3rd Power Phantom Dragon 45's effects loop, clear of 3rd Power Phantom Dragon 45's own gain stage
Comes earlier in the signal chain