Pedals that stack with the Supro Delta King

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

J. Rockett Archer takes that edge of breakup character and pushes it toward low gain

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Greer Southland pushes a edge of breakup tone toward clean boost

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Feed a edge of breakup signal into Klon KTR and it comes out closer to clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro Orbit after Supro Delta King in the signal chain, clear of Supro Delta King's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Supro Delta King leans toward spring, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes in Supro Delta King's effects loop — it's not there to compete with Supro Delta King's own spring character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JHS 3 Series Oil Can Delay's modulated voice goes in Supro Delta King's effects loop — it's not there to compete with Supro Delta King's own spring character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop