Amps that pair well with the T-Rex Reptile Delay

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

What Marshall Super Bass brings here leans toward bright — that's worth building a pairing around

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Fender Deluxe Reverb's own bright character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run T-Rex Reptile Delay in Bad Cat BC-50 Head's effects loop, clear of Bad Cat BC-50 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put T-Rex Reptile Delay in Peavey E110 Acoustic's effects loop, clear of Peavey E110 Acoustic's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put T-Rex Reptile Delay in Gibson Dual Falcon 20's effects loop, clear of Gibson Dual Falcon 20's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run T-Rex Reptile Delay in Warwick DS 500 Double Stage Bass Amp Head's effects loop, clear of Warwick DS 500 Double Stage Bass Amp Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Rumble 800's high headroom voice out front: T-Rex Reptile Delay goes in Fender Rumble 800's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

T-Rex Reptile Delay's analog warmth voice goes in Roland KC-220's effects loop — it's not there to compete with Roland KC-220's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss Waza-Air Bass's dynamic voice out front: T-Rex Reptile Delay goes in Boss Waza-Air Bass's effects loop so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put T-Rex Reptile Delay in Phil Jones BG-110 Bass Cub II 110W 2x5 Bass Combo's effects loop, clear of Phil Jones BG-110 Bass Cub II 110W 2x5 Bass Combo's own gain stage

Comes earlier in the signal chain