Amps that pair well with the TC Electronic Mimiq Doubler

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Fender Deluxe Reverb in the signal chain, clear of Fender Deluxe Reverb's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mesa/Boogie Dual Rectifier Solo Head (Multi-watt)'s transparent voice out front: TC Electronic Mimiq Doubler goes after Mesa/Boogie Dual Rectifier Solo Head (Multi-watt) in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Twin Reverb Head's dynamic voice out front: TC Electronic Mimiq Doubler goes after Fender Twin Reverb Head in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Soldano SLO 100R in the signal chain, clear of Soldano SLO 100R's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Soldano SLO-30 Super Lead Overdrive in the signal chain — it's not there to compete with Soldano SLO-30 Super Lead Overdrive's own transparent character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Bruno Cowtipper 22 in the signal chain, clear of Bruno Cowtipper 22's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Supro 1605R 64 Reverb 5W 1x8 Combo in the signal chain, clear of Supro 1605R 64 Reverb 5W 1x8 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo in the signal chain, clear of Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo's own gain stage

Comes later in the signal chain

Run mid-forward into Revv Generator G20 20-Watt 2-Channel Tube Head for more high gain on top

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mojotone Tweed Princeton Style 1x8 Cabinet's edge of breakup voice out front: TC Electronic Mimiq Doubler goes after Mojotone Tweed Princeton Style 1x8 Cabinet in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Matchless 30/15 Reverb 30W 1x12" Combo in the signal chain, clear of Matchless 30/15 Reverb 30W 1x12" Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Fender '68 Custom Twin Reverb in the signal chain, clear of Fender '68 Custom Twin Reverb's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Blackstar HT-5R Series HT-5R 5W 1x12 in the signal chain, clear of Blackstar HT-5R Series HT-5R 5W 1x12's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Hiwatt DR20/0.5 Head in the signal chain, clear of Hiwatt DR20/0.5 Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Mojotone Tweed Twin Low-Power Style 2x12 Cabinet in the signal chain, clear of Mojotone Tweed Twin Low-Power Style 2x12 Cabinet's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Mojotone Fender Licensed Tweed Bandmaster 3x10 Combo in the signal chain — it's not there to compete with Mojotone Fender Licensed Tweed Bandmaster 3x10 Combo's own edge of breakup character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Fuchs Blackjack 21 MKII in the signal chain, clear of Fuchs Blackjack 21 MKII's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Pro Junior IV (Lacquered Tweed)'s edge of breakup voice out front: TC Electronic Mimiq Doubler goes after Fender Pro Junior IV (Lacquered Tweed) in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Milkman Sound Half Pint 5W 1x12 Combo in the signal chain, clear of Milkman Sound Half Pint 5W 1x12 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Park P18H in the signal chain — it's not there to compete with Park P18H's own edge of breakup character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Park P18H in the signal chain — it's not there to compete with Park P18H's own edge of breakup character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Engl Tube 50 Combo E768 in the signal chain, clear of Engl Tube 50 Combo E768's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Fender Blues DeVille in the signal chain, clear of Fender Blues DeVille's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Fender Pro Junior III 15-Watt 1x10 Guitar Combo Amp in the signal chain, clear of Fender Pro Junior III 15-Watt 1x10 Guitar Combo Amp's own gain stage

Comes later in the signal chain