Amps that pair well with the TC Electronic Mimiq Doubler

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Engl Ritchie Blackmore Signature E650's edge of breakup voice out front: TC Electronic Mimiq Doubler goes after Engl Ritchie Blackmore Signature E650 in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Fender Dual Showman (Silverface) in the signal chain, clear of Fender Dual Showman (Silverface)'s own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Vox Ac30 1960s in the signal chain, clear of Vox Ac30 1960s's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Swart Star-Base 1 in the signal chain, clear of Swart Star-Base 1's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Amplified Nation Dirty Wonderland in the signal chain, clear of Amplified Nation Dirty Wonderland's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Sears Silvertone 6x10 100-Watt Combo Amp in the signal chain, clear of Sears Silvertone 6x10 100-Watt Combo Amp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Carr Viceroy Combo 2x12" Black in the signal chain, clear of Carr Viceroy Combo 2x12" Black's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Marshall Studio Vintage SV20H Head White Levant in the signal chain, clear of Marshall Studio Vintage SV20H Head White Levant's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Hiwatt Custom 20 SA20C 2x10 Combo in the signal chain, clear of Hiwatt Custom 20 SA20C 2x10 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Milkman Sound HT15 15W 1x12 Combo's transparent voice out front: TC Electronic Mimiq Doubler goes after Milkman Sound HT15 15W 1x12 Combo in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mesa Boogie Fillmore 25 Head's transparent voice out front: TC Electronic Mimiq Doubler goes after Mesa Boogie Fillmore 25 Head in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Music Man 212-HD 130 Vintage (1970s) in the signal chain — it's not there to compete with Music Man 212-HD 130 Vintage (1970s)'s own high headroom character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Mesa Boogie California Tweed 6V6 4:40 Head in the signal chain — it's not there to compete with Mesa Boogie California Tweed 6V6 4:40 Head's own edge of breakup character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Bad Cat Cub V Hand-Wired 112 Combo in the signal chain — it's not there to compete with Bad Cat Cub V Hand-Wired 112 Combo's own edge of breakup character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Peavey Classic 50W Combo in the signal chain, clear of Peavey Classic 50W Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Roland JC-60 in the signal chain — it's not there to compete with Roland JC-60's own transparent character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Mesa Boogie Fillmore 100 1x12 Combo in the signal chain, clear of Mesa Boogie Fillmore 100 1x12 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep PRS Dallas 50W Tube Guitar Amp Head's transparent voice out front: TC Electronic Mimiq Doubler goes after PRS Dallas 50W Tube Guitar Amp Head in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Marshall limited-edition Marshall Studio Vintage SV20C in the signal chain, clear of Marshall limited-edition Marshall Studio Vintage SV20C's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Ampeg V4-B Head in the signal chain — it's not there to compete with Ampeg V4-B Head's own full character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Mesa Boogie California Tweed 6V6 4:40 1x12 Combo in the signal chain, clear of Mesa Boogie California Tweed 6V6 4:40 1x12 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Two-Rock Burnside 6L6 28W 1x12 Combo in the signal chain, clear of Two-Rock Burnside 6L6 28W 1x12 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Quilter DirectAmp's dynamic voice out front: TC Electronic Mimiq Doubler goes after Quilter DirectAmp in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after 3rd Power Lyra 20 1x12" Combo in the signal chain — it's not there to compete with 3rd Power Lyra 20 1x12" Combo's own high headroom character

Comes later in the signal chain