Amps that pair well with the TC Electronic Triple Flashback Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Soldano SLO 100 100-Watt Tube Guitar Amplifier's effects loop, clear of Soldano SLO 100 100-Watt Tube Guitar Amplifier's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Revv Generator G20 20-Watt 2-Channel Tube Head's high gain voice out front: TC Electronic Triple Flashback Delay goes in Revv Generator G20 20-Watt 2-Channel Tube Head's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Mesa Boogie JP-2C 1x12 Combo's effects loop, clear of Mesa Boogie JP-2C 1x12 Combo's own gain stage

Comes earlier in the signal chain

Built to sit after drive, the Triple Flashback's cascading repeats trail naturally off the Plexi's saturated breakup.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Triple Flashback belongs in the JEL-20's effects loop, where its complex delay repeats stay clear of the head's own high-gain stage.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in EVH 5150III LBX II's effects loop, clear of EVH 5150III LBX II's own gain stage

Comes earlier in the signal chain

Dumble Overdrive Special Amp Head's own dynamic character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Triple Flashback in the Small Box's loop — its electronic delay repeats stay isolated from the head's own high-gain metal voicing.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes in Friedman Small Box 50W EL34 Amp Head's effects loop — it's not there to compete with Friedman Small Box 50W EL34 Amp Head's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Engl Fireball 25 Goldface's effects loop, clear of Engl Fireball 25 Goldface's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Randall Thrasher 50W Head's high gain voice out front: TC Electronic Triple Flashback Delay goes in Randall Thrasher 50W Head's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in Mesa/Boogie Badlander's effects loop, clear of Mesa/Boogie Badlander's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Soldano SLO-30 Snakeskin's effects loop, clear of Soldano SLO-30 Snakeskin's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Friedman Jose Arredondo's high gain voice out front: TC Electronic Triple Flashback Delay goes in Friedman Jose Arredondo's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in ENGL E658 Steve Morse Signature 20's effects loop, clear of ENGL E658 Steve Morse Signature 20's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Blackstar Id:core Stereo 150 2x10'''s effects loop, clear of Blackstar Id:core Stereo 150 2x10'''s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Bad Cat Lynx 50's transparent voice out front: TC Electronic Triple Flashback Delay goes in Bad Cat Lynx 50's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Friedman Box 50Watt's high gain voice out front: TC Electronic Triple Flashback Delay goes in Friedman Box 50Watt's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes in Friedman Pink Taco V2 Head's effects loop — it's not there to compete with Friedman Pink Taco V2 Head's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in ENGL E630II Savage 60 Custom Shop Head's effects loop, clear of ENGL E630II Savage 60 Custom Shop Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Friedman RUNT-50's effects loop, clear of Friedman RUNT-50's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Randall Diavlo RH5H Head with RG8 Cabinet's effects loop, clear of Randall Diavlo RH5H Head with RG8 Cabinet's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in Friedman RUNT-20 Combo's effects loop, clear of Friedman RUNT-20 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in Friedman Pink Taco V2 1x12 Combo's effects loop, clear of Friedman Pink Taco V2 1x12 Combo's own gain stage

Comes earlier in the signal chain