Amps that pair well with the TC Electronic Triple Flashback Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Synergy Engl Savage Module's effects loop, clear of Synergy Engl Savage Module's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fryette Pittbull Ultra-Lead II's tight voice out front: TC Electronic Triple Flashback Delay goes in Fryette Pittbull Ultra-Lead II's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in Engl Ironball Head's effects loop, clear of Engl Ironball Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes in Engl E600 Ironball Combo's effects loop — it's not there to compete with Engl E600 Ironball Combo's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in Krank Krankenstein's effects loop, clear of Krank Krankenstein's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Ceriatone Chupacabra 50's effects loop, clear of Ceriatone Chupacabra 50's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Friedman BE-Mini's effects loop, clear of Friedman BE-Mini's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Friedman Pink Taco Head's effects loop, clear of Friedman Pink Taco Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Engl Savage 60 Mark II's high gain voice out front: TC Electronic Triple Flashback Delay goes in Engl Savage 60 Mark II's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Fryette Deliverance II's effects loop, clear of Fryette Deliverance II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in ENGL E651 Custom Shop Artist Edition 50W's effects loop, clear of ENGL E651 Custom Shop Artist Edition 50W's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Engl Savage 60 MK II's high gain voice out front: TC Electronic Triple Flashback Delay goes in Engl Savage 60 MK II's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Friedman PT-20's effects loop, clear of Friedman PT-20's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in ENGL E725 Ravager IR's effects loop, clear of ENGL E725 Ravager IR's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in Friedman Jose 100's effects loop, clear of Friedman Jose 100's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Bad Cat Lynx's effects loop, clear of Bad Cat Lynx's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes in Bogner Ecstasy Mini 30W's effects loop — it's not there to compete with Bogner Ecstasy Mini 30W's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Blackstar Series One MK II 4-Channel 100-Watt's saturated voice out front: TC Electronic Triple Flashback Delay goes in Blackstar Series One MK II 4-Channel 100-Watt's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Friedman JJ-Junior Combo's effects loop, clear of Friedman JJ-Junior Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay in Laney GH100TI's effects loop, clear of Laney GH100TI's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes in Fender Super-Sonic Head 2-Channel 22-Watt's effects loop — it's not there to compete with Fender Super-Sonic Head 2-Channel 22-Watt's own saturated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Blackstar HT Stage 100 MK III Head's high gain voice out front: TC Electronic Triple Flashback Delay goes in Blackstar HT Stage 100 MK III Head's effects loop so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay in Blackstar HT Club 50 MKIII 2-Ch 50-Watt Tube's effects loop, clear of Blackstar HT Club 50 MKIII 2-Ch 50-Watt Tube's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes in Fender Super-Sonic 22 Head's effects loop — it's not there to compete with Fender Super-Sonic 22 Head's own high gain character

Comes earlier in the signal chain