Pedals that stack with the TC Electronic Triple Flashback Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after Soldano SLO in the signal chain, clear of Soldano SLO's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after Meris Enzo X in the signal chain, where it won't crowd Meris Enzo X

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay after Hotone Skyline Djent Metalcore HiGain Metal Distortion in the signal chain, clear of Hotone Skyline Djent Metalcore HiGain Metal Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after REVV G4 Distortion in the signal chain, clear of REVV G4 Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after DigiTech Metal Master in the signal chain, clear of DigiTech Metal Master's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Triple Flashback's tube-toned delay trailing after Tight Metal's gated gain, not before, or the repeats inherit an unshaped tone.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay after Keeley Filaments in the signal chain, clear of Keeley Filaments's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz in the signal chain — it's not there to compete with Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz in the signal chain — it's not there to compete with Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after Warm Audio Fluff Drive in the signal chain, clear of Warm Audio Fluff Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after Catalinbread Carbide Purple Gaze in the signal chain, clear of Catalinbread Carbide Purple Gaze's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after Electro-Harmonix EH-1335/EH-3075 Hot Tubes in the signal chain, clear of Electro-Harmonix EH-1335/EH-3075 Hot Tubes's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Pocket Metal Muff's high gain voice out front: TC Electronic Triple Flashback Delay goes after Electro-Harmonix Pocket Metal Muff in the signal chain so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after Dunlop JHW2 in the signal chain, clear of Dunlop JHW2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after Digitech DOD Boneshaker in the signal chain, clear of Digitech DOD Boneshaker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Vox Joe Satriani Satchurator's aggressive voice out front: TC Electronic Triple Flashback Delay goes after Vox Joe Satriani Satchurator in the signal chain so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after NUX NFB-2 Lacerate FET Boost in the signal chain, clear of NUX NFB-2 Lacerate FET Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after Joyo Uzi Distortion in the signal chain, clear of Joyo Uzi Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after JHS PG-14 Paul Gilbert Signature Distortion in the signal chain, clear of JHS PG-14 Paul Gilbert Signature Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electronic Audio Experiments Citadel's high gain voice out front: TC Electronic Triple Flashback Delay goes after Electronic Audio Experiments Citadel in the signal chain so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay after Origin Effects RevivalDrive Hot Rod Compact in the signal chain, clear of Origin Effects RevivalDrive Hot Rod Compact's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay after Fortin Amplification Tempest Overdrive Signature Architects in the signal chain, clear of Fortin Amplification Tempest Overdrive Signature Architects's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after Mooer 001 in the signal chain, clear of Mooer 001's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay after Diezel VH4V2 in the signal chain, clear of Diezel VH4V2's own gain stage

Comes earlier in the signal chain