Pedals that stack with the TC Electronic Triple Flashback Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay after Death By Audio Octave Clang v2 in the signal chain, where it won't crowd Death By Audio Octave Clang v2

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after Warm Audio Foxy Tone Box in the signal chain, clear of Warm Audio Foxy Tone Box's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay after Ernie Ball Expression Overdrive in the signal chain, clear of Ernie Ball Expression Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dunlop MXR Octavio Fuzz JD-M267's octave voice out front: TC Electronic Triple Flashback Delay goes after Dunlop MXR Octavio Fuzz JD-M267 in the signal chain so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boffin FX Dino-Mite Distortion #129's saturated voice out front: TC Electronic Triple Flashback Delay goes after Boffin FX Dino-Mite Distortion #129 in the signal chain so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after KMA Machines Mandrake in the signal chain, where it won't crowd KMA Machines Mandrake

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after Ibanez SD9 Sonic Distortion in the signal chain — it's not there to compete with Ibanez SD9 Sonic Distortion's own clean boost character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after SONICAKE King of twins in the signal chain, clear of SONICAKE King of twins's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after Catalinbread Octapussy in the signal chain — it's not there to compete with Catalinbread Octapussy's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep ThorpyFX The Bunker LT Source MkII's saturated voice out front: TC Electronic Triple Flashback Delay goes after ThorpyFX The Bunker LT Source MkII in the signal chain so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Triple Flashback Delay after Boss MD-2 Mega Distortion in the signal chain, clear of Boss MD-2 Mega Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after MXR Sub Machine in the signal chain, where it won't crowd MXR Sub Machine

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after Behringer BM-15M Murf Box in the signal chain — it's not there to compete with Behringer BM-15M Murf Box's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after Catalinbread Perseus in the signal chain — it's not there to compete with Catalinbread Perseus's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after Malekko Helium MKI in the signal chain — it's not there to compete with Malekko Helium MKI's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley octa osi transfigurating fuzz's octave voice out front: TC Electronic Triple Flashback Delay goes after Keeley octa osi transfigurating fuzz in the signal chain so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay after Fairfield Circuitry Hors D'oeuvre Active Feedback in the signal chain, clear of Fairfield Circuitry Hors D'oeuvre Active Feedback's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after JHS Colour Box in the signal chain — it's not there to compete with JHS Colour Box's own saturated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay after Cusack Music Subfuzz in the signal chain, clear of Cusack Music Subfuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maxon DS830 Distortion Master's aggressive voice out front: TC Electronic Triple Flashback Delay goes after Maxon DS830 Distortion Master in the signal chain so its tight voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after Fender Duel Pugilist in the signal chain — it's not there to compete with Fender Duel Pugilist's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes after Eventide Riptide Drive E Vibe in the signal chain — it's not there to compete with Eventide Riptide Drive E Vibe's own saturated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after T-Rex Bloody Mary in the signal chain, clear of T-Rex Bloody Mary's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Triple Flashback Delay after EarthQuaker Devices Palisades in the signal chain, clear of EarthQuaker Devices Palisades's own gain stage

Comes earlier in the signal chain