Amps that pair well with the Tone City Model B Distortion TC-T31

Fender Hot Rod Series Blues Junior 15W 1x12 Tube Guitar

The Model B's modern, high-gain crunch pushes the Blues Junior's natural, balanced breakup further.

Milkman Sound Creamer 20W Combo

The Creamer's sweet, roots-voiced breakup gives the Model B's high-gain crunch a warm amp platform to push into.

1959 Fender Tweed Deluxe

The Model B's modern, EQ'd crunch pushes the Tweed Deluxe's own woody breakup into a sharper, more contemporary gain.

Fender Dual Showman Reverb

The Model B's modern, EQ'd crunch pushes the Dual Showman's own warm tube headroom into real drive.

Magnatone Super Fifteen 15W 1x12 Combo

Stack the Model B in front of the Super Fifteen and the amp's punchy vibrato-laden breakup gets a modern crunch layer on top.

Carr Viceroy Combo 2x12" Black

Stack the Model B into the Viceroy's own gain and its blackface-voiced crunch pushes the amp into heavier, more saturated breakup.

Magnatone Varsity Reverb (Camel)

Stack the Model B in front of the Varsity Reverb and the amp's spacious spring reverb wraps around the pedal's modern crunch.

Mesa Boogie Lone Star Head

The Model B's blackface-inspired crunch stacks well ahead of the Lone Star's own tube gain, adding crispy saturation on a platform built to take pedals.

Bruno Cowtipper 22

Push the Cowtipper's clean headroom with the Model B's blackface-voiced crunch and it breaks up into something crispier than the amp alone.

Fender Pro Junior III 15-Watt 1x10 Guitar Combo Amp

Run Tone City Model B Distortion TC-T31 into that transparent platform and it finally gets some high gain

Tone King Imperial MKI 1x12 Combo Guitar Amplifier

Feed a crunchy signal into Tone City Model B Distortion TC-T31 and it comes out closer to mid-forward

Blackstar St. James 50 6L6 Combo

Stack Tone City Model B Distortion TC-T31 on top and a scooped tone tightens toward mid-forward

1960s Fender Super Reverb

Into a transparent tone, Tone City Model B Distortion TC-T31 brings the high gain it's missing

2002 Fender Hot Rod Deluxe II Combo

The Model B's modern, EQ'd crunch pushes the Hot Rod Deluxe's warm, bluesy clean into real, contemporary gain.

Headstrong Santa Cruz

Tone City Model B Distortion TC-T31 pushes a crunchy tone toward mid-forward

Blackstar ST. James 100 Head

The transparent tone has headroom to spare — Tone City Model B Distortion TC-T31 gives it high gain to fill it with

Fender '59 Bassman LTD

Run Tone City Model B Distortion TC-T31 into that transparent platform and it finally gets some high gain

Blackstar St. James 50 6L6 Head

Feed a scooped signal into Tone City Model B Distortion TC-T31 and it comes out closer to mid-forward

3rd Power Lyra

The Model B's modern, EQ'd crunch pushes the Lyra's warm, American clean into real, contemporary gain.

1950s Fender Twin

The Model B's modern, EQ'd crunch pushes the Twin's own bright, midrange-clear preamp into real, contemporary gain.

Fender Dual Showman (Silverface)

Run Tone City Model B Distortion TC-T31 into that transparent platform and it finally gets some high gain

Magnatone Varsity Reverb (Spanish Mission)

Tone City Model B Distortion TC-T31's high gain fills in what this high headroom tone doesn't make on its own

Peavey Classic® 20

Run Tone City Model B Distortion TC-T31 into that high headroom platform and it finally gets some high gain

Magnatone Super Fifty-Nine M-80 Head

Into a transparent tone, Tone City Model B Distortion TC-T31 brings the high gain it's missing