Pedals that stack with the Traynor SB112

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall Guv'nor brings a pull toward mid-forward that's missing

Goes in front of the amp

Traynor SB112's own high headroom character is the real reason this is worth trying

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)

With more headroom than the SB106, the SB112 lets the RAT 2's gritty distortion stay defined instead of farting out at volume.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Ibanez Tube Screamer leans this high headroom tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

Traynor SB112's own high headroom character is the real reason this is worth trying

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The SB112's gigging headroom is a lot more forgiving once the Dyna Comp is smoothing out the attack ahead of it.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Traynor SB112's high headroom voice out front: MXR Phase 90 goes after Traynor SB112 in the signal chain so its analog warmth voice doesn't muddy it

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Binson Echorec Delay in Traynor SB112's effects loop, clear of Traynor SB112's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Traynor SB112's own high headroom character is the real reason this is worth trying

Goes in front of the amp

Run the Memory Man in the SB112's loop for lush modulated echo beyond the bass combo's own EQ shaping. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

What Traynor SB112 brings here leans toward high headroom — that's worth building a pairing around

Goes in front of the amp

What Traynor SB112 brings here leans toward high headroom — that's worth building a pairing around

Goes in front of the amp

Traynor SB112 leans toward high headroom, and that's a real, usable character to pair with

Goes in front of the amp

Traynor SB112 leans toward high headroom, and that's a real, usable character to pair with

Goes in front of the amp

Traynor SB112's own high headroom character is the real reason this is worth trying

Goes in front of the amp

Traynor SB112 leans toward high headroom, and that's a real, usable character to pair with

Goes in front of the amp

Traynor SB112's own high headroom character is the real reason this is worth trying

Goes in front of the amp

Traynor SB112's own high headroom character is the real reason this is worth trying

Goes in front of the amp

What Traynor SB112 brings here leans toward high headroom — that's worth building a pairing around

Goes in front of the amp

Traynor SB112's own high headroom character is the real reason this is worth trying

Goes in front of the amp

Traynor SB112's own high headroom character is the real reason this is worth trying

Goes in front of the amp

Traynor SB112's own high headroom character is the real reason this is worth trying

Goes in front of the amp