Pedals that stack with the Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo

Into the Bloomfield Drive's smooth, high-gain clean platform, the Dumbloid's articulate, Dumble-chasing drive has real room to open up.

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Into the Bloomfield Drive's smooth, clean-platform headroom, the TS10's big, fatty midrange push turns clean into real lead drive.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into the Bloomfield Drive's clean-platform headroom, the Screamer's mid-forward boost has real room to open up.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo's own transparent character is the real reason this is worth trying

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Into the Bloomfield Drive's smooth, clean-platform headroom, Aria's compressed, mid-boosted overdrive turns clean into real lead drive.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

Into the Bloomfield Drive's smooth, high-gain clean platform, the RAT 2's bright distortion has real room to open up.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Beetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo stacks high gain on top of the mid-forward already here

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo stacks high gain on top of the mid-forward already here

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo leans this low gain tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo for more high gain on top

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo layers high gain onto an already mid-forward signal

Goes in front of the amp

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo leans toward transparent, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo brings here leans toward transparent — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo leans toward transparent, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo brings here leans toward transparent — that's worth building a pairing around

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo's own transparent character is the real reason this is worth trying

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo leans this high headroom tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Into a high headroom tone, Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo brings a pull toward high gain that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Even the Bloomfield Drive's smooth, high-gain lead voice gets more predictable once the Dyna Comp squashes the attack first.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo in the signal chain, clear of Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo's own gain stage

Goes in front of the amp