Pedals that stack with the Victory RK50 Signature Head
← everything about the Victory RK50 Signature Head
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Black Arts Toneworks LSTR Fuzz
Black Arts Toneworks
26% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
Run Black Arts Toneworks LSTR Fuzz into that transparent platform and it finally leans toward fuzzy
Goes in front of the amp
Beetronics Swarm
Beetronics
26% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
Run Beetronics Swarm into that transparent platform and it finally leans toward fuzzy
Goes in front of the amp
Marshall Guv'nor
Marshall
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Marshall Guv'nor leans it toward mid-forward to fill it in
Goes in front of the amp
Boss BF-2 Flanger
Boss
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Boss BF-2 Flanger after Victory RK50 Signature Head in the signal chain, clear of Victory RK50 Signature Head's own gain stage
Goes in front of the amp
Dan Armstrong Orange Squeezer
pedal
13% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Victory RK50 Signature Head's dynamic character and Dan Armstrong Orange Squeezer's dynamic voice sit in the same lane rather than fighting each other
Goes in front of the amp
Dunlop MXR M299 Carbon Copy Mini
Dunlop
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Victory RK50 Signature Head gives it exactly that — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Meris Polymoon
Meris
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Meris Polymoon in Victory RK50 Signature Head's effects loop, clear of Victory RK50 Signature Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop