Amps that pair well with the Walrus Audio Fable

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures belong in the MiniMAX's loop, clear of the amp's own punchy EQ.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Fable's glitchy granular reverb in the MAX 100's loop, clear of the amp's own practice-oriented overdrive.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Fable's glitchy granular reverb in the SB110's loop, clear of the amp's own boxy midrange voicing.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes in Peavey MAX 150 150W 1x12 Bass Combo's effects loop — it's not there to compete with Peavey MAX 150 150W 1x12 Bass Combo's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Vox AC30 Guitar Combo Amp's bright voice out front: Walrus Audio Fable goes in Vox AC30 Guitar Combo Amp's effects loop so its smooth voice doesn't muddy it

Comes earlier in the signal chain

The Plexi's aggressive, saturated breakup gives the Fable's glitchy granular reverb a raw, driven signal to melt down instead of a pristine one.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Fable in Marshall Super Bass's effects loop, clear of Marshall Super Bass's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable in Peavey TKO 115's effects loop, clear of Peavey TKO 115's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes in PRS HX 50 Head's effects loop — it's not there to compete with PRS HX 50 Head's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable in 1976 Marshall 1959 Super Lead's effects loop, clear of 1976 Marshall 1959 Super Lead's own gain stage

Comes earlier in the signal chain

Dumble Overdrive Special Amp Head's own dynamic character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Fable in Ampeg RB-110's effects loop, clear of Ampeg RB-110's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable in Ampeg SVT-3PRO Bass Amplifier Head's effects loop, clear of Ampeg SVT-3PRO Bass Amplifier Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mesa Boogie Subway D-350's bright voice out front: Walrus Audio Fable goes in Mesa Boogie Subway D-350's effects loop so its smooth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Fable in Laney Richter's effects loop, clear of Laney Richter's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable in Marshall YJM100 Head's effects loop, clear of Marshall YJM100 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Soldano SLO-30 2-Channel 30W 1x12 Combo's bright voice out front: Walrus Audio Fable goes in Soldano SLO-30 2-Channel 30W 1x12 Combo's effects loop so its smooth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Vox AC30 Rose Morris 80s's mid-forward voice out front: Walrus Audio Fable goes in Vox AC30 Rose Morris 80s's effects loop so its smooth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes in Matchless DC-30's effects loop — it's not there to compete with Matchless DC-30's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Fable in Laney Cub 8 Valve's effects loop, clear of Laney Cub 8 Valve's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes in 1964 Vox AC30's effects loop — it's not there to compete with 1964 Vox AC30's own glassy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable in Ampeg 50th Anniversary SVT Head's effects loop, clear of Ampeg 50th Anniversary SVT Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Fable in Magnatone 280's effects loop, clear of Magnatone 280's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes in Vox MV50 AC SET's effects loop — it's not there to compete with Vox MV50 AC SET's own full character

Comes earlier in the signal chain