Amps that pair well with the Walrus Audio Lillian

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Prosonic's warm, professional Fender voicing gives the Lillian's subtle analog phasing a responsive amp platform.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Revv Generator 100R MkIII 3-Channel Head's smooth balances out the bright tone

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after Gibson EH-150 in the signal chain, clear of Gibson EH-150's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Marshall JTM45 45W Tube Guitar Amp Head in the signal chain, clear of Marshall JTM45 45W Tube Guitar Amp Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Gibson GA-50 in the signal chain — it's not there to compete with Gibson GA-50's own full character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Aguilar Tone Hammer 500 Bass Amp 30th's warm voice out front: Walrus Audio Lillian goes after Aguilar Tone Hammer 500 Bass Amp 30th in the signal chain so its bright voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after WEM Dominator MkIII in the signal chain, clear of WEM Dominator MkIII's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Park P45H in the signal chain, clear of Park P45H's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hiwatt Park P18LH 'Little 45' Handwired18W's warm voice out front: Walrus Audio Lillian goes after Hiwatt Park P18LH 'Little 45' Handwired18W in the signal chain so its bright voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Victory Amps V10 The Baron's dynamic voice out front: Walrus Audio Lillian goes after Victory Amps V10 The Baron in the signal chain so its bright voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Victory Amplifiers V50 The Earl in the signal chain, clear of Victory Amplifiers V50 The Earl's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after Roland JC-120 Jazz Chorus in the signal chain, clear of Roland JC-120 Jazz Chorus's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after Ampeg Rocket Watts in the signal chain, clear of Ampeg Rocket Watts's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Add the Lillian's modern, bright phase sweep on top of the DGT 15's own vintage, blues-rock breakup for subtle movement.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Hartke LH500 Bass in the signal chain, clear of Hartke LH500 Bass's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Magnatone Kingston in the signal chain, clear of Magnatone Kingston's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ampeg Rocket Bass 210's warm voice out front: Walrus Audio Lillian goes after Ampeg Rocket Bass 210 in the signal chain so its bright voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after Supro Royale 1x12 combo in the signal chain, clear of Supro Royale 1x12 combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after Gallien-Krueger Legacy 115 in the signal chain, clear of Gallien-Krueger Legacy 115's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Magnatone Twilighter 22W 1x12 Combo in the signal chain — it's not there to compete with Magnatone Twilighter 22W 1x12 Combo's own modulated character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after Magnatone Baby M-80 in the signal chain, clear of Magnatone Baby M-80's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after PRS DG Custom 15 Combo in the signal chain, clear of PRS DG Custom 15 Combo's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after Magnatone Panoramic 2x10 Stereo in the signal chain, clear of Magnatone Panoramic 2x10 Stereo's own gain stage

Comes later in the signal chain