Pedals that stack with the Walrus Audio Lillian

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Lillian's subtle analog phasing follows the Fable's granular reverb textures for layered, ambient motion. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Keeley Magnetic Echo in the signal chain — it's not there to compete with Keeley Magnetic Echo's own modulated character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Nano Memory Toy's analog warmth voice out front: Walrus Audio Lillian goes after Electro-Harmonix Nano Memory Toy in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Lillian's subtle analog phase adds motion to Delay-Llama's warm, organic repeats without touching the gain stage. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after T-Rex Junior Roomate in the signal chain — it's not there to compete with T-Rex Junior Roomate's own warm character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after T-Rex Roommate D'luxe Tube Reverb in the signal chain, where it won't crowd T-Rex Roommate D'luxe Tube Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Lillian's subtle, bright phase sweep after the DM-2's organic, lush echo and the modulation colors the repeats directly. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Lillian's subtle phase before the EchoSex, so the vintage echo repeats a modulated tone instead of a static one. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Greer Relic's germanium voice out front: Walrus Audio Lillian goes after Greer Relic in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after TC Electronic Echobrain Analog Delay Effetto Delay A in the signal chain, where it won't crowd TC Electronic Echobrain Analog Delay Effetto Delay A — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after EarthQuaker Devices Space Spiral in the signal chain, where it won't crowd EarthQuaker Devices Space Spiral — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Tru-Fi The Aqua Echo 600 Analog in the signal chain, where it won't crowd Tru-Fi The Aqua Echo 600 Analog — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Lillian's subtle analog phase sweep after the Oblivion's psychedelic echoes, so the modulation moves the repeats instead of getting lost ahead of them. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Donner White Tape in the signal chain — it's not there to compete with Donner White Tape's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after J. Rockett Immortal Echo in the signal chain, where it won't crowd J. Rockett Immortal Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Eventide Rose Modulated Digital Delay in the signal chain, where it won't crowd Eventide Rose Modulated Digital Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Suhr Dark Discovery Analog Delay in the signal chain, where it won't crowd Suhr Dark Discovery Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Strymon Brig echo Compact in the signal chain, where it won't crowd Strymon Brig echo Compact — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Strymon EC-1's warm voice out front: Walrus Audio Lillian goes after Strymon EC-1 in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after T-Rex Replicator D'luxe in the signal chain — it's not there to compete with T-Rex Replicator D'luxe's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Dunlop Way Huge WHE701 Aqua Puss in the signal chain, where it won't crowd Dunlop Way Huge WHE701 Aqua Puss — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after J. Rockett Clockwork Echo in the signal chain, where it won't crowd J. Rockett Clockwork Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fjord Fuzz Mime's dark voice out front: Walrus Audio Lillian goes after Fjord Fuzz Mime in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after One Control Sea Turquoise Delay V2 in the signal chain, where it won't crowd One Control Sea Turquoise Delay V2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain