Zvex Maps Reverse Fuzz Factory

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run fuzzy into Fender Vibrolux 6G11 for more modulated on top

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Magnatone 280 layers modulated onto an already fuzzy signal

Comes later in the signal chain

Comes later in the signal chain

Gibson Les Paul LP-1 Preamp stacks modulated on top of the fuzzy already here

Comes later in the signal chain

Magnatone 510 stacks modulated on top of the fuzzy already here

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Cordovox FL-8 after Zvex Maps Reverse Fuzz Factory in the signal chain, clear of Zvex Maps Reverse Fuzz Factory's own gain stage

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Walrus Audio EB-10 Black Edition layers clean boost onto an already fuzzy signal

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Fender Blender stacks octave on top of the fuzzy already here

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Zvex Maps Reverse Fuzz Factory in the signal chain, clear of Zvex Maps Reverse Fuzz Factory's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Run Walrus Audio Melee Wall of Noise Black after Zvex Maps Reverse Fuzz Factory in the signal chain, clear of Zvex Maps Reverse Fuzz Factory's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Zvex Maps Reverse Fuzz Factory's own fuzzy character is the real reason this is worth trying

Comes earlier in the signal chain

Comes earlier in the signal chain

Subdecay Octave Theory Octave Modulator Synthesizer belongs in front of Zvex Maps Reverse Fuzz Factory, since pitch tracking is cleanest before anything colours the note