Pedals that stack with the Ampeg RB-112

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

EarthQuaker Devices Chelsea leans bright right where the warm tone needs it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Arrows' subtle treble boost pushes the RB-112's gritty, punchy voice into real presence.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

MXR Distortion+ leans bright right where the warm tone needs it

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run End of Line's experimental, noisy pulse after the RB-112's own gritty punch settles, so the modulation moves a defined tone.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

JHS 3 Series Compressor's own compressed character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Chase Bliss Automatone CXM 1978 in Ampeg RB-112's effects loop, clear of Ampeg RB-112's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal in Ampeg RB-112's effects loop, clear of Ampeg RB-112's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop