Pedals that stack with the Ampeg SVT-CL
← everything about the Ampeg SVT-CL
All 50 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Black Arts Toneworks LSTR Fuzz
Black Arts Toneworks
76% matchThe SVT-CL's tube growl and stage-ready compression give the LSTR's scooped, sludgy fuzz a heavy bass amp voice.
Carl Martin Crunch Drive
Carl Martin
36% matchPush the SVT-CL's midrange growl with the Crunch Drive's British-voiced grit for thick, gritty bass tone on stage.
Beetronics Swarm
Beetronics
36% matchThe SVT-CL's tube growl and compression push the Swarm's modulated fuzz textures into a heavier bass voice.
ProCo RAT 2
Proco
35% matchThe RAT's low-gain grit cuts through the SVT-CL's fat, growling midrange without eating into the amp's own low end.
Cusack Music Screamer
Cusack Music
35% matchFeed the SVT-CL's tube growl with the Screamer's smooth TS-style saturation for warm bass drive without harshness.
Caroline Guitar Company , Aaron Graves Overdrive
Caroline Guitar Company
30% matchThe Aaron Graves Overdrive's compressed preamp clipping stacks with the SVT-CL's own growling tube compression for a thicker push.
Great Eastern FX Co. Small Speaker Overdrive
Great Eastern FX
30% matchInto the SVT-CL's growling tube stage, the Small Speaker Overdrive's touch-sensitive crunch tracks your pick attack.
Ibanez TS9DX Turbo Tube Screamer
Ibanez
27% matchThe TS9DX's fat, bass-forward boost pushes the SVT-CL's growling tube stage into real crunch.
Blackstar LT Dual
Blackstar
26% matchThe LT Dual's British-American gain stacks with the SVT-CL's own growling tube compression for a thicker rhythm push.
Beetronics Larva
Beetronics
26% matchInto the SVT-CL's growling tube stage, Larva's resonant preamp-phaser combo adds crunch and motion together.
Boss OS-2 OverDrive/Distortion
Boss
26% matchThe OS-2's metal-voiced breakup pushes the SVT-CL's growling tube stage into real distortion.
One Control Purple Plexifier
One Control
24% matchThe Purple Plexifier's warm, Plexi-voiced British crunch pushes the SVT-CL's growling tube stage into real breakup.
Irin Band Controller 10-Band EQ
Irin
24% matchRun the 10-Band EQ ahead of the SVT-CL for precise frequency shaping before the amp's own growling tube stage reacts.
T-Rex DGTM Overdrive
T Rex
24% matchThe DGTM's rich, reliable blues crunch pushes the SVT-CL's growling tube stage into real rhythm gain.
MXR M115 Distortion III
MXR
24% matchThe Distortion III's sweet, blues-voiced crunch pushes the SVT-CL's growling tube stage into real breakup.
Browne Amplification Alkene Nashville Overdrive
Browne Amplification
22% matchInto the SVT-CL's growling tube stage, the Alkene's transparent, touch-sensitive drive stays clear instead of muddying the growl.
MXR Phase 90
MXR
22% matchThe Phase 90's classic-rock sweep follows the SVT-CL's tube growl and compression for added motion.
Chaos Custom Shop Blender
Chaos Custom Shop
21% matchThe Blender's parallel dry-signal clarity keeps the SVT-CL's growling tube stage articulate even with effects mixed in.
Beetronics WhoctaHell Low Octave Fuzz
Beetronics
18% matchInto the SVT-CL's growling tube stage, the Low Octave Fuzz's sub-octave synth voice thickens the amp's own growl.
Mission Engineering ReWah Pro Bass
Mission Engineering
16% matchInto the SVT-CL's growling tube stage, the ReWah Pro's expressive bass sweep stays fundamental instead of thinning out.
Ashdown MAS Vintage-Fuzz
Ashdown
16% matchInto the SVT-CL's growling, compressed tube stage, the MAS Vintage-Fuzz's organic germanium fuzz stays soulful instead of getting swallowed by gain.
Dunlop MXR M299 Carbon Copy Mini
Dunlop
15% matchThe Carbon Copy Mini's ambient slapback belongs in the SVT-CL's loop, clear of the amp's own tube growl. — goes in the amp's FX loop (or last, into a clean amp)
MXR Dyna Comp
MXR
13% matchThe Dyna Comp's squash evens pick dynamics before the SVT-CL's own tube growl and compression.
Electro-Harmonix XO Deluxe Memory Man
Electro-Harmonix
13% matchThe Memory Man's lush analog echo sits in the SVT-CL's loop, clear of the amp's own tube growl and compression. — goes in the amp's FX loop (or last, into a clean amp)