Pedals that stack with the Beetronics Octahive

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Run fuzzy into MXR Micro Amp for more clean boost on top

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Beetronics Octahive's own octave character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Fulltone OF-2 Octafuzz layers octave onto an already fuzzy signal

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

The Swollen Pickle's woolly, scooped fuzz gives the Octahive's raw, thick octave buzz a genuinely different texture to layer with.

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Cordovox FL-8 after Beetronics Octahive in the signal chain, clear of Beetronics Octahive's own gain stage

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Beetronics Octahive leans toward octave, and that's a real, usable character to pair with

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Beetronics Octahive takes that scooped character and pushes it toward mid-forward

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Beetronics Octahive on top and a scooped tone tightens toward mid-forward

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Beetronics Octahive pushes a scooped tone toward mid-forward

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Beetronics Octahive stacks octave on top of the fuzzy already here

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Beetronics Octahive takes that scooped character and pushes it toward mid-forward

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Beetronics Octahive in front and the fuzzy tone leans further toward octave

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Beetronics Octahive layers octave onto an already fuzzy signal

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Beetronics Octahive in front and the fuzzy tone leans further toward octave

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Beetronics Octahive in front and the fuzzy tone leans further toward octave

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Beetronics Octahive takes that scooped character and pushes it toward mid-forward

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Beetronics Octahive's own octave character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Beetronics Octahive layers octave onto an already fuzzy signal

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Beetronics Octahive in front and the fuzzy tone leans further toward octave

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Beetronics Octahive in front and the fuzzy tone leans further toward octave

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Electro-Harmonix Deluxe Memory Man after Beetronics Octahive in the signal chain, clear of Beetronics Octahive's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Fairfield Circuitry Meet Maude after Beetronics Octahive in the signal chain, clear of Beetronics Octahive's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Beetronics Octahive and it comes out closer to mid-forward

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Beetronics Octahive in front and the fuzzy tone leans further toward octave