Amps that pair well with the Black Arts Toneworks LSTR Fuzz

The LSTR's scooped, sludgy fuzz pushes hard against the Bluesbreaker's naturally rounder low end, useful for doom weight without losing the amp's blues-rock character entirely.

Comes later in the signal chain

Run Black Arts Toneworks LSTR Fuzz into that transparent platform and it finally leans toward fuzzy

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Push the FBT-700's punchy, midrange-forward headroom with the LSTR's own scooped, sludgy fuzz and the low end stays thick, not muddy.

Comes later in the signal chain

The LSTR's scooped, sludgy fuzz is a heavier, doomier gain than the Hiwatt's own bright, punchy headroom usually sees.

Comes later in the signal chain

The LSTR's scooped, sludgy fuzz pushes hard against the Bad Cat Cub's chiming, dynamic clean voice.

Comes later in the signal chain

Into a high headroom tone, Black Arts Toneworks LSTR Fuzz brings a pull toward fuzzy that's missing

Comes later in the signal chain

The YCV40's spring-reverb, headroom-rich gain gives the LSTR's scooped, doom-voiced fuzz a versatile amp platform.

Comes later in the signal chain

The Acoustic Singer Pro's notch-filtered EQ and chorus give the LSTR's scooped, doom-voiced fuzz an unusual acoustic-amp platform.

Comes later in the signal chain

Into a high headroom tone, Black Arts Toneworks LSTR Fuzz brings a pull toward fuzzy that's missing

Comes later in the signal chain

The LA30BL's dynamic, natural tube breakup gives the LSTR's scooped, sludgy fuzz a responsive amp voice to layer onto.

Comes later in the signal chain

Into a high headroom tone, Black Arts Toneworks LSTR Fuzz brings a pull toward fuzzy that's missing

Comes later in the signal chain

The P75H's British, hard-rock headroom gives the LSTR's scooped, doom-voiced fuzz a midrange-forward amp voice.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

The Richter's rehearsal-oriented bass EQ gives the LSTR's scooped, doom-voiced fuzz a straightforward platform.

Comes later in the signal chain

The Traynor SB106's clean, practice-oriented bass EQ gives the LSTR's scooped, doom-voiced fuzz a straightforward platform.

Comes later in the signal chain

The CEB-3's stereo bass chorus gives the LSTR's scooped, sludgy fuzz a swirling amp platform instead of a static one.

Comes later in the signal chain

The YBA300's bright, resonant tube headroom gives the LSTR's scooped, sludgy fuzz serious clarity to cut through.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

The FBT 300's punchy SVT-style midrange gives the LSTR's scooped, doom fuzz plenty of low end to sit inside.

Comes later in the signal chain

The Overtone Special's clean pedal-platform headroom lets the LSTR's scooped, doom-heavy fuzz saturate without the amp adding its own breakup.

Comes later in the signal chain

The RB4's full, gigging-ready headroom gives the LSTR's scooped, sludgy fuzz plenty of low end to sit on top of.

Comes later in the signal chain

Run Black Arts Toneworks LSTR Fuzz into that high headroom platform and it finally leans toward fuzzy

Comes later in the signal chain

Run Black Arts Toneworks LSTR Fuzz into that high headroom platform and it finally leans toward fuzzy

Comes later in the signal chain

The Bronco TAN's articulate, balanced midrange gives the LSTR's scooped, sludgy fuzz a durable amp voice to push into.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Push the Cub V's chimey British headroom with the LSTR's scooped, sludgy fuzz and it turns into something a lot heavier.

Comes later in the signal chain

Push the TS1's smooth, rich clean platform with the LSTR's own scooped, sludgy fuzz and it opens up into real doom.

Comes later in the signal chain