Amps that pair well with the Black Arts Toneworks LSTR Fuzz

Into the AC-50's rich, punchy tube clarity, the LSTR's scooped, sludgy fuzz has plenty of amp character to push into.

Comes later in the signal chain

Black Arts Toneworks LSTR Fuzz leans this high headroom tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

The SL68's fat, British-voiced preamp gives the LSTR's scooped, sludgy fuzz a heavier amp voice to push into.

Comes later in the signal chain

The Classic Reverb's clear, pedal-friendly headroom gives the LSTR's scooped, sludgy fuzz plenty of room to bloom.

Comes later in the signal chain

The transparent tone has headroom to spare — Black Arts Toneworks LSTR Fuzz leans it toward fuzzy to fill it in

Comes later in the signal chain

Into the Studio 10's British, midrange-forward recording tone, the LSTR's scooped, sludgy fuzz has real amp character to push into.

Comes later in the signal chain

Even a modest bedroom combo like the RB2 gives the LSTR's scooped, sludgy fuzz a reasonable, honest amp voice.

Comes later in the signal chain

The transparent tone has headroom to spare — Black Arts Toneworks LSTR Fuzz leans it toward fuzzy to fill it in

Comes later in the signal chain

The Silver Sterling 150's smooth clean-platform headroom gives the LSTR's scooped, sludgy fuzz a huge amp voice to push into.

Comes later in the signal chain

Push the AM Standard's natural, vocal-forward clean voice with the LSTR's own scooped, sludgy fuzz and the two compound fast.

Comes later in the signal chain

Black Arts Toneworks LSTR Fuzz leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Into the Signature 40's smooth, blues-voiced headroom, the LSTR's scooped, sludgy fuzz has real room to breathe.

Comes later in the signal chain

The YCV20's chiming, headroom-rich valve breakup gives the LSTR's scooped, sludgy fuzz a warmer amp voice to push into.

Comes later in the signal chain

Black Arts Toneworks LSTR Fuzz leans this high headroom tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

The Rambler's thick, midrange-forward jazz voice gives the LSTR's scooped, sludgy fuzz some midrange back.

Comes later in the signal chain

Into a high headroom tone, Black Arts Toneworks LSTR Fuzz brings a pull toward fuzzy that's missing

Comes later in the signal chain

The transparent tone has headroom to spare — Black Arts Toneworks LSTR Fuzz leans it toward fuzzy to fill it in

Comes later in the signal chain

Black Arts Toneworks LSTR Fuzz leans this high headroom tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Push the Bloomfield's smooth, fusion-voiced clean platform with the LSTR's own scooped, sludgy fuzz and it turns into real doom.

Comes later in the signal chain

Black Arts Toneworks LSTR Fuzz leans this high headroom tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

The FBS-700's touring-grade headroom gives the LSTR's scooped, sludgy fuzz serious power to push against.

Comes later in the signal chain

The high headroom tone has headroom to spare — Black Arts Toneworks LSTR Fuzz leans it toward fuzzy to fill it in

Comes later in the signal chain

Run Black Arts Toneworks LSTR Fuzz into that transparent platform and it finally leans toward fuzzy

Comes later in the signal chain

Black Arts Toneworks LSTR Fuzz leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain