Amps that pair well with the Black Arts Toneworks LSTR Fuzz

Laney RB3 Richter Bass Amp

The Richter's rehearsal-oriented bass EQ gives the LSTR's scooped, doom-voiced fuzz a straightforward platform.

Ampeg SVT-CL

The SVT-CL's tube growl and stage-ready compression give the LSTR's scooped, sludgy fuzz a heavy bass amp voice.

Marshall JTM45 45W Tube Guitar Amp Head

The LSTR's scooped, sludgy fuzz pushes hard against the JTM45's cleaner vintage voicing, adding heavy low-gain weight the amp doesn't have on its own.

Milkman Sound Creamer 20W Combo

The Creamer's pedal-platform clean gives the LSTR's scooped doom fuzz room to saturate, since the amp isn't adding its own breakup on top.

Hiwatt Custom DR20H

The LSTR's scooped, sludgy fuzz is a heavier, doomier gain than the Hiwatt's own bright, punchy headroom usually sees.

Bad Cat Cub

The LSTR's scooped, sludgy fuzz pushes hard against the Bad Cat Cub's chiming, dynamic clean voice.

Quilter Tone Block 202 200W Head

The Tone Block's valve-voiced, responsive gain gives the LSTR's scooped, doom-voiced fuzz a reliable amp platform.

Peavey Decade Too

The LSTR's scooped, doom-heavy fuzz is a much heavier gain than the Decade Too's simple bedroom amp usually sees.

Laney LA30BL 30W Tube Amplifier

The LA30BL's dynamic, natural tube breakup gives the LSTR's scooped, sludgy fuzz a responsive amp voice to layer onto.

Traynor SB112

The Traynor SB112's gigging-ready bass EQ gives the LSTR's scooped, doom-voiced fuzz a straightforward amp platform.

Park P75H

The P75H's British, hard-rock headroom gives the LSTR's scooped, doom-voiced fuzz a midrange-forward amp voice.

Boss Acoustic Singer Pro

The Acoustic Singer Pro's notch-filtered EQ and chorus give the LSTR's scooped, doom-voiced fuzz an unusual acoustic-amp platform.

Traynor YCV40 Custom Valve Combo

The YCV40's spring-reverb, headroom-rich gain gives the LSTR's scooped, doom-voiced fuzz a versatile amp platform.

Traynor SB106

The Traynor SB106's clean, practice-oriented bass EQ gives the LSTR's scooped, doom-voiced fuzz a straightforward platform.

Omega Darkglass AO900 Alpha 900 Bass Head

Both live in heavy, modern metal territory, so the AO900's own saturation stacks naturally with the LSTR's scooped doom fuzz.

Vox AC-50

Into the AC-50's rich, punchy tube clarity, the LSTR's scooped, sludgy fuzz has plenty of amp character to push into.

Laney Digbeth Foundry DBF100

Push the DBF100's punchy, FET-driven preamp with the LSTR's own scooped, sludgy fuzz and the low end stays tight.

Blackstar HTV-212 Bronco TAN

The Bronco TAN's articulate, balanced midrange gives the LSTR's scooped, sludgy fuzz a durable amp voice to push into.

Traynor YBA300

The YBA300's bright, resonant tube headroom gives the LSTR's scooped, sludgy fuzz serious clarity to cut through.

Brunetti Singleman 30 Combo

Push the Singleman's organic, harmonic crunch with the LSTR's own scooped, sludgy fuzz and the saturation compounds into real doom.

Carr rambler

The Rambler's thick, midrange-forward jazz voice gives the LSTR's scooped, sludgy fuzz some midrange back.

Blackstar Studio 10 KT88 Limited Edition

Into the Studio 10's British, midrange-forward recording tone, the LSTR's scooped, sludgy fuzz has real amp character to push into.

Soldano SLO-30 Super Lead Overdrive

Into the SLO-30's buffered, club-ready clean channel, the LSTR's scooped, sludgy fuzz has real headroom to open up.

Fuchs FBT 300

The FBT 300's punchy SVT-style midrange gives the LSTR's scooped, doom fuzz plenty of low end to sit inside.