Pedals that stack with the Boss DD-3 Digital Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Boss JB-2 in the signal chain, clear of Boss JB-2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Smokin' Amp Co. FX10 BiFet Preamp in the signal chain, clear of Smokin' Amp Co. FX10 BiFet Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Wampler TCD Compulsion Drive in the signal chain, clear of Wampler TCD Compulsion Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Catalinbread CB-Distortion in the signal chain, clear of Catalinbread CB-Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Analogman NEW Analog MAN BAD BOB Boost in the signal chain, clear of Analogman NEW Analog MAN BAD BOB Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Carl Martin Rock Drive in the signal chain, clear of Carl Martin Rock Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Friedman Small Box Overdrive in the signal chain, clear of Friedman Small Box Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Strymon Deco 2FSR in the signal chain, where it won't crowd Strymon Deco 2FSR

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Beetronics Wannabee in the signal chain, clear of Beetronics Wannabee's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after ThorpyFX Peacekeeper V2 Low-Gain Overdrive in the signal chain, clear of ThorpyFX Peacekeeper V2 Low-Gain Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Mooer 010 in the signal chain, clear of Mooer 010's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Amptweaker Fat Rock in the signal chain, clear of Amptweaker Fat Rock's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Origin Effects DCX Bass in the signal chain, clear of Origin Effects DCX Bass's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Wampler Tumnus in the signal chain, clear of Wampler Tumnus's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Ibanez TWP10 in the signal chain, where it won't crowd Ibanez TWP10

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Ibanez TS9 40th Anniversary in the signal chain, clear of Ibanez TS9 40th Anniversary's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Behringer BOD400 Bass Overdrive in the signal chain, clear of Behringer BOD400 Bass Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Electro-Harmonix Nano Tone Corset in the signal chain, where it won't crowd Electro-Harmonix Nano Tone Corset

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Walrus Audio Emissary in the signal chain, clear of Walrus Audio Emissary's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Ibanez TS Mini Tube Screamer in the signal chain, clear of Ibanez TS Mini Tube Screamer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Fender Hammertone Overdrive in the signal chain, clear of Fender Hammertone Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Suhr Koko Boost in the signal chain, clear of Suhr Koko Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Joyo Tauren in the signal chain, clear of Joyo Tauren's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after A/DA MP-1 in the signal chain, clear of A/DA MP-1's own gain stage

Comes earlier in the signal chain