Pedals that stack with the Boss DD-3 Digital Delay

Used together by 3 artists

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Boss SD-1 Super OverDrive in the signal chain, clear of Boss SD-1 Super OverDrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Dunlop WHE207 Way Huge Green Rhino Overdrive in the signal chain, clear of Dunlop WHE207 Way Huge Green Rhino Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Death By Audio Octave Clang v2 in the signal chain, where it won't crowd Death By Audio Octave Clang v2

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after JHS Kirkland Custom Boost in the signal chain, clear of JHS Kirkland Custom Boost's own gain stage

Comes earlier in the signal chain

Used together by 4 artists

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Ibanez TS808 Tube Screamer in the signal chain, clear of Ibanez TS808 Tube Screamer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after MXR M233 in the signal chain, clear of MXR M233's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Ernie Ball Expression Overdrive in the signal chain, clear of Ernie Ball Expression Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Demeter Compulator in the signal chain, where it won't crowd Demeter Compulator

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Boffin FX Dino-Mite Distortion #129 in the signal chain, clear of Boffin FX Dino-Mite Distortion #129's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Feed the DD-3's clear, shimmery repeats with the MoonShine's boost-stage saturation and the echoes carry real sustain forward.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Wampler Equator Parametric EQ in the signal chain, where it won't crowd Wampler Equator Parametric EQ

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Fender Breakup Drive in the signal chain, clear of Fender Breakup Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after J. Rockett Archer Ikon in the signal chain, clear of J. Rockett Archer Ikon's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after JAM Pedals TubeDreamer MK2 in the signal chain, clear of JAM Pedals TubeDreamer MK2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Electro-Harmonix Spruce Goose in the signal chain, clear of Electro-Harmonix Spruce Goose's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after ThorpyFX Electric Lightning in the signal chain, clear of ThorpyFX Electric Lightning's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after EarthQuaker Devices Cranker Distortion Enhancement Device in the signal chain, clear of EarthQuaker Devices Cranker Distortion Enhancement Device's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after EarthQuaker Devices Palisades in the signal chain, clear of EarthQuaker Devices Palisades's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after EarthQuaker Devices Zoar in the signal chain, clear of EarthQuaker Devices Zoar's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Sonicake Trio Rider in the signal chain, clear of Sonicake Trio Rider's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Tone City TC-T6 Kaffir Lime Overdrive in the signal chain, clear of Tone City TC-T6 Kaffir Lime Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Walrus Audio 385 MkII Overdrive in the signal chain, clear of Walrus Audio 385 MkII Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Vemuram Butter Machine in the signal chain, clear of Vemuram Butter Machine's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Wampler Triumph Overdrive in the signal chain, clear of Wampler Triumph Overdrive's own gain stage

Comes earlier in the signal chain