Pedals that stack with the Boss DD-3 Digital Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Hudson Electronics Dual Broadcast in the signal chain, clear of Hudson Electronics Dual Broadcast's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Dunlop MXR Timmy Overdrive, sold as Dunlop CSP027 in the signal chain, clear of Dunlop MXR Timmy Overdrive, sold as Dunlop CSP027's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Gamechanger Audio Plasma Pedal in the signal chain, clear of Gamechanger Audio Plasma Pedal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Revv Amplification G4-V2 in the signal chain, clear of Revv Amplification G4-V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Electro-Harmonix Nano Operation Overlord in the signal chain, clear of Electro-Harmonix Nano Operation Overlord's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Fuzzrocious Cosmic Bull Shark in the signal chain, where it won't crowd Fuzzrocious Cosmic Bull Shark

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after JAM Pedals Rattler mk.2 Distortion in the signal chain, clear of JAM Pedals Rattler mk.2 Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Catalinbread Teaser Stallion in the signal chain, clear of Catalinbread Teaser Stallion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Broadcast's warm, organic germanium preamp gives the DD-3's clear, shimmery repeats a vintage-voiced signal to echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Crowther Hot Cake in the signal chain, clear of Crowther Hot Cake's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Benson Amps Portable Distortion 424 MKII in the signal chain, clear of Benson Amps Portable Distortion 424 MKII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Peavey Joshua Homme Decade Preamp in the signal chain, clear of Peavey Joshua Homme Decade Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after NuX NOD-3 Morning Star Overdrive in the signal chain, clear of NuX NOD-3 Morning Star Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Fender Hammertone Metal in the signal chain, clear of Fender Hammertone Metal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Feed the DD-3's clear, shimmery repeats with the RAH's balanced, natural overdrive and the echoes trail off real saturation.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Dophix Perseo in the signal chain, clear of Dophix Perseo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Universal Audio Enigmatic '82 Overdrive Special Amp in the signal chain, clear of Universal Audio Enigmatic '82 Overdrive Special Amp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Tone City Plexi 2025 in the signal chain, clear of Tone City Plexi 2025's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Zvex 59V in the signal chain, clear of Zvex 59V's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Electronic Audio Experiments Surveyor V2 in the signal chain, clear of Electronic Audio Experiments Surveyor V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Dunlop DB1B Dimebag Crybaby From Hell Wah in the signal chain, where it won't crowd Dunlop DB1B Dimebag Crybaby From Hell Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Xotic BB Preamp V1.5 in the signal chain, clear of Xotic BB Preamp V1.5's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after NuX Drive Force in the signal chain, clear of NuX Drive Force's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after MXR ZW-44 Berzerker Overdrive in the signal chain, clear of MXR ZW-44 Berzerker Overdrive's own gain stage

Comes earlier in the signal chain