Pedals that stack with the Boss DD-3 Digital Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Mad Professor Stone Grey Distortion in the signal chain, clear of Mad Professor Stone Grey Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Orange Getaway Driver in the signal chain, clear of Orange Getaway Driver's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Shins Music Shin's Music Double Trouble in the signal chain, clear of Shins Music Shin's Music Double Trouble's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Catalinbread Sabbra Traditional Ink in the signal chain, clear of Catalinbread Sabbra Traditional Ink's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Boss DS-1 Distortion in the signal chain, clear of Boss DS-1 Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Boss ODB-3 in the signal chain, clear of Boss ODB-3's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Strymon Sunset Dual Overdrive in the signal chain, clear of Strymon Sunset Dual Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after DOD YJM308 Preamp Overdrive in the signal chain, clear of DOD YJM308 Preamp Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Dunlop MXR M94SE Super Badass Distortion in the signal chain, clear of Dunlop MXR M94SE Super Badass Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Dunlop MXR Distortion Plus in the signal chain, clear of Dunlop MXR Distortion Plus's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Tone City Golden Plexi in the signal chain, clear of Tone City Golden Plexi's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Dean Markley Overlord in the signal chain, clear of Dean Markley Overlord's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The DD-3's clear, warm digital repeats trail the RevivalDrive's dynamic, tube-compressed drive into a defined echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Friedman BE-OD Deluxe in the signal chain, clear of Friedman BE-OD Deluxe's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The DD-3's clear, warm digital repeats trail the Pentatone's reliable direct-recording preamp into a defined echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The DD-3's clear, warm digital repeats trail the Ages' saturating, boutique boost into a defined echo.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after EarthQuaker Devices '- Speaker Cranker in the signal chain, clear of EarthQuaker Devices '- Speaker Cranker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Boss HM-2 Heavy Metal in the signal chain, clear of Boss HM-2 Heavy Metal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Catalinbread Super Chili Picoso in the signal chain, clear of Catalinbread Super Chili Picoso's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay after Jackson Audio Golden Boy in the signal chain, clear of Jackson Audio Golden Boy's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Carbide's aggressive British saturation hits first; the DD-3's clean digital delay just repeats the wash after it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Coppersound Pedals Loma Prieta Tremolo in the signal chain, where it won't crowd Coppersound Pedals Loma Prieta Tremolo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after Carl Martin Bass Chorus in the signal chain, where it won't crowd Carl Martin Bass Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay after Fairfield Circuitry The Barbershop in the signal chain, clear of Fairfield Circuitry The Barbershop's own gain stage

Comes earlier in the signal chain