Pedals that stack with the Brunetti Singleman H 50/15/2W Head 230

← everything about the Brunetti Singleman H 50/15/2W Head 230

All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Colorsound Overdriver

pedal

21% match

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Colorsound Overdriver leans this transparent tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

Friedman BE-OD

Friedman

21% match
$169.99via Reverb

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Friedman BE-OD on top and a saturated tone tightens toward tight

Goes in front of the amp

Klon KTR

Klon

18% match

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

Into a transparent tone, Klon KTR brings a pull toward medium gain that's missing

Goes in front of the amp

MXR Flanger

MXR

14% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Flanger after Brunetti Singleman H 50/15/2W Head 230 in the signal chain, clear of Brunetti Singleman H 50/15/2W Head 230's own gain stage

Goes in front of the amp

Electro-Harmonix M76 Studio Compressor

Electro-Harmonix

13% match

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Electro-Harmonix M76 Studio Compressor's own compressed character is the real reason this is worth trying

Goes in front of the amp

Eventide Modulated Delay

Eventide

8% match

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Brunetti Singleman H 50/15/2W Head 230's effects loop, clear of Brunetti Singleman H 50/15/2W Head 230's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Alexander Pedals Now We Are Ghosts Reverb

Alexander Pedals

8% match
$399via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes in Brunetti Singleman H 50/15/2W Head 230's effects loop — it's not there to compete with Brunetti Singleman H 50/15/2W Head 230's own saturated character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

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