Pedals that stack with the Brunetti Singleman H 50/15/2W Head 230
← everything about the Brunetti Singleman H 50/15/2W Head 230
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Colorsound Overdriver
pedal
21% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
Colorsound Overdriver leans this transparent tone toward fuzzy, which it doesn't make on its own
Goes in front of the amp
Friedman BE-OD
Friedman
21% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Stack Friedman BE-OD on top and a saturated tone tightens toward tight
Goes in front of the amp
Klon KTR
Klon
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)
Into a transparent tone, Klon KTR brings a pull toward medium gain that's missing
Goes in front of the amp
MXR Flanger
MXR
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep MXR Flanger after Brunetti Singleman H 50/15/2W Head 230 in the signal chain, clear of Brunetti Singleman H 50/15/2W Head 230's own gain stage
Goes in front of the amp
Electro-Harmonix M76 Studio Compressor
Electro-Harmonix
13% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Electro-Harmonix M76 Studio Compressor's own compressed character is the real reason this is worth trying
Goes in front of the amp
Eventide Modulated Delay
Eventide
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Eventide Modulated Delay in Brunetti Singleman H 50/15/2W Head 230's effects loop, clear of Brunetti Singleman H 50/15/2W Head 230's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Alexander Pedals Now We Are Ghosts Reverb
Alexander Pedals
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Alexander Pedals Now We Are Ghosts Reverb's ambient voice goes in Brunetti Singleman H 50/15/2W Head 230's effects loop — it's not there to compete with Brunetti Singleman H 50/15/2W Head 230's own saturated character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop