Pedals that stack with the Caroline Guitar Company Icarus
← everything about the Caroline Guitar Company Icarus
All 24 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Dallas Rangemaster Treble Booster
Dallas
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Both germanium-based, the Rangemaster's treble cut and the Icarus's clean boost stack into a brighter, more clipped push than either alone.
Comes earlier in the signal chain
MXR Distortion+
MXR
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Boost first with the Icarus, then hit the Distortion+'s germanium clipping harder — you get thicker, more compressed gain than either pedal alone.
Comes later in the signal chain
JHS 3 Series Compressor
JHS Pedals
31% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
JHS 3 Series Compressor's own compressed character is the real reason this is worth trying
Comes earlier in the signal chain
Fjord Fuzz Midnattssol
Fjord Fuzz
25% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
Caroline Guitar Company Icarus stacks clean boost on top of the fuzzy already here
Comes later in the signal chain
Boss DD-200 Digital Delay
Boss
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run the DD-200 after the Icarus so its germanium boost stays articulate and the digital delay just tails clean repeats. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
IdiotBox Effects End of Line
Idiotbox Effects
24% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run the End of Line's experimental, noise-rock tremolo after the Icarus' warm germanium-silicon boost and the pulse rides on real saturation.
Comes later in the signal chain
Benson Amps BA-Pre
Benson Amps
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Caroline Guitar Company Icarus answers back warm
Comes later in the signal chain
Electro-Harmonix Cock Fight Plus
Electro-Harmonix
21% matchCaroline Guitar Company Icarus leans toward germanium, and that's a real, usable character to pair with
Comes earlier in the signal chain
Free The Tone Crunchy Chime OD Natural Booster
Free The Tone
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus's warm balances out the bright tone
Fairfield Circuitry The Unpleasant Surprise
Fairfield Circuitry
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus leans warm right where the bright tone needs it
Comes later in the signal chain
EarthQuaker Devices Barrows Fuzz Attacker
EarthQuaker Devices
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus's warm balances out the bright tone
Comes later in the signal chain
Crazy Tube Circuits Constellation Germanium Fuzz/Booster
Crazy Tube Circuits
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Caroline Guitar Company Icarus after it and the bright edge settles into something more warm
Comes later in the signal chain
SB|LB Pedals Freq Boost
SB|LB Pedals
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus leans warm right where the bright tone needs it
Comes later in the signal chain
Beetronics Royal Jelly
Beetronics
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Caroline Guitar Company Icarus answers back warm
Comes later in the signal chain
DOD Carcosa
Dod
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus's warm balances out the bright tone
Comes later in the signal chain
DOD Carcosa
Digitech
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus's warm balances out the bright tone
Comes later in the signal chain
Snarling Dogs Super Bawl Whine-O Wah Pedal
pedal
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Caroline Guitar Company Icarus answers back warm
Comes earlier in the signal chain
Crazy Tube Circuits Constellation OC41
Crazy Tube Circuits
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus leans warm right where the bright tone needs it
Comes later in the signal chain
MXR SF01
MXR
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus's warm balances out the bright tone
Comes later in the signal chain
Roger Mayer Axis 27
Roger Mayer
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Caroline Guitar Company Icarus after it and the bright edge settles into something more warm
Comes later in the signal chain
Strymon El Capistan
Strymon
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Strymon El Capistan after Caroline Guitar Company Icarus in the signal chain, clear of Caroline Guitar Company Icarus's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Dawner Prince Boonar
Dawner Prince
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run the Boonar's vintage studio delay after the Icarus' warm, germanium-silicon boost and the repeats trail off real saturation. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Dallas Tuxedo 1959
Dallas
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus's warm balances out the bright tone
Comes earlier in the signal chain
ThorpyFX Redacted
ThorpyFX
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Caroline Guitar Company Icarus answers back warm
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