Amps that pair well with the Crazy Tube Circuits Golden Ratio V2
← everything about the Crazy Tube Circuits Golden Ratio V2
All 6 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Marshall Super Bass
Marshall
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Comes later in the signal chain
1976 Marshall 1959 Super Lead
Marshall
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, 1976 Marshall 1959 Super Lead answers back bright
Comes later in the signal chain
Ceriatone C-Wreck
Ceriatone
23% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Both lean toward dynamic and compressed respectively — close enough in character that they complement instead of clashing
Comes later in the signal chain
Blackstar 1RH MKII
Blackstar
19% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Crazy Tube Circuits Golden Ratio V2's own compressed character is the real reason this is worth trying
Comes later in the signal chain
Fuchs Blackjack 21 Combo (Black)
Fuchs
18% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Crazy Tube Circuits Golden Ratio V2's compressed voice suits Fuchs Blackjack 21 Combo (Black)'s own dynamic character
Comes later in the signal chain
Marshall Studio Vintage SV20H 20W Head
Marshall
16% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
What Crazy Tube Circuits Golden Ratio V2 brings here leans toward compressed — that's worth building a pairing around
Comes later in the signal chain
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