Pedals that stack with the Diezel BIG MAX
← everything about the Diezel BIG MAX
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2
Electro-Harmonix
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Run Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 into that transparent platform and it finally leans toward mid-forward
Goes in front of the amp
Klon KTR
Klon
23% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)
Into a transparent tone, Klon KTR brings a pull toward medium gain that's missing
Goes in front of the amp
Walrus Audio Voyager Mk II
Walrus Audio
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Walrus Audio Voyager Mk II leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Maestro Orbit
Maestro
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Diezel BIG MAX in the signal chain, clear of Diezel BIG MAX's own gain stage
Goes in front of the amp
Xotic SP Compressor
Xotic
12% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Xotic SP Compressor brings here leans toward smooth — that's worth building a pairing around
Goes in front of the amp
Fender Hammertone Reverb
Fender
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Fender Hammertone Reverb's lush voice goes in Diezel BIG MAX's effects loop — it's not there to compete with Diezel BIG MAX's own high gain character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Meris Mercury7 Reverb
Meris
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Meris Mercury7 Reverb's ambient voice goes in Diezel BIG MAX's effects loop — it's not there to compete with Diezel BIG MAX's own high gain character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop