Amps that pair well with the Dunlop MXR M299 Carbon Copy Mini

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Marshall Vintage Modern 50W Combo gives it exactly that

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Into the Starlite 1x8's sparkling, harmonic American voice, the Carbon Copy Mini's dark slapback delay has a chimey amp voice to trail off against.

Comes earlier in the signal chain

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Fender '68 Custom Princeton Reverb 12W 1x10 Tube Guitar gives it exactly that

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Carbon Copy Mini in the Fusion 500's loop — dark analog slapback on top of its hybrid tube-preamp warmth.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender The Edge Signature Deluxe leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Fender Bassbreaker 007 7-Watt gives it exactly that

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Fender 'Black Panel' Vibro Champ Amp (1964-1967) gives it exactly that

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Into Gibson GA-40, Dunlop MXR M299 Carbon Copy Mini is right at home: it's built around a clean amp's front end

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Dr. Z Amplification Z-Wreck Head gives it exactly that

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Carbon Copy Mini in the Richter RB2's loop for dark, ambient slapback beyond the bass combo's own practice-level compression.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini's own voicing points at a clean amp's front end, and Fuchs FBT-700 delivers it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini's own voicing points at a clean amp's front end, and Quilter DirectAmp delivers it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Laney Richter RB4 Bass Combo leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Carbon Copy Mini's dark, ambient slapback delay belongs in the Ampman's loop, clear of the amp's own vintage, classic-rock clean channel.

Comes earlier in the signal chain

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Fender Artist Signature EC Twinolux gives it exactly that

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

1960s Fender Super Reverb leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Ampeg Rocket Watts gives it exactly that

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Traynor AM Standard gives it exactly that

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Orange Crush Acoustic 30 leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini is voiced for a clean amp's front end — Dumble Overdrive Reverb gives it exactly that

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Quad Reverb leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Carbon Copy Mini in the Vibroverb's loop for dark, ambient slapback beyond the amp's own vintage, spring-reverb clean.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Loop the Carbon Copy Mini into the Studio 10 and its dark analog slapback trails the amp's own British midrange without smearing it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Carbon Copy Mini's dark, ambient slapback delay belongs in the Magnatone 460's loop, clear of the amp's own stereo pitch-vibrato.

Comes earlier in the signal chain