Pedals that stack with the Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2
← everything about the Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2
All 137 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Keeley Caverns Delay Reverb Ltd Edition
Keeley
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own fuzzy character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Mooer Polyphonic
Mooer
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans toward fuzzy, and that's a real, usable character to pair with
Comes earlier in the signal chain
Hudson Electronics Sidecar
Hudson Electronics
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes earlier in the signal chain
GFI System Specular Tempus
Gfi System
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans toward fuzzy, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
CNZ Audio VTR-20
Cnz Audio
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own fuzzy character is the real reason this is worth trying
Comes later in the signal chain
Caline Blue CP 45 Caline
Caline
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans toward fuzzy, and that's a real, usable character to pair with
Comes earlier in the signal chain
Source Audio Gemini Chorus
Source Audio
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans toward fuzzy, and that's a real, usable character to pair with
Comes later in the signal chain
Ibanez PT Gate
Ibanez
16% matchElectro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans toward fuzzy, and that's a real, usable character to pair with
Comes later in the signal chain
Strymon OB.1 Bass
Strymon
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own fuzzy character is the real reason this is worth trying
Comes earlier in the signal chain
EVH MXR 5150 Chorus
Evh
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own fuzzy character is the real reason this is worth trying
Comes later in the signal chain
Behringer Dual-Phase
Behringer
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 brings here leans toward fuzzy — that's worth building a pairing around
Comes later in the signal chain
Spaceman Ixion
Spaceman
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans toward fuzzy, and that's a real, usable character to pair with
Comes earlier in the signal chain
Fender space delay
Fender
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 brings here leans toward fuzzy — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
DryBell Module 4
Drybell
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own fuzzy character is the real reason this is worth trying
Comes earlier in the signal chain
Fender Bassman Compressor
Fender
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans toward fuzzy, and that's a real, usable character to pair with
Comes earlier in the signal chain
Lovepedal HSR-3 Multi-reverb hall shimmer
Lovepedal
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own fuzzy character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Electro-Harmonix Memory Boy Analog Delay
Electro-Harmonix
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Electro-Harmonix Memory Boy Analog Delay after Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 in the signal chain, clear of Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
MXR Super Comp M132
MXR
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own fuzzy character is the real reason this is worth trying
Comes earlier in the signal chain
MXR Super Comp M132
Dunlop
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own fuzzy character is the real reason this is worth trying
Comes earlier in the signal chain
Suhr Discovery
Suhr
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Suhr Discovery after Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 in the signal chain, clear of Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
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