Amps that pair well with the Electro-Harmonix Canyon

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon in Blackstar HT-1R MkIII's effects loop, clear of Blackstar HT-1R MkIII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Electro-Harmonix Canyon in Mesa Boogie Mark Five:35 1x12 Combo's effects loop, clear of Mesa Boogie Mark Five:35 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Bad Cat Mark Sampson Modified Black Cat's harmonically rich voice out front: Electro-Harmonix Canyon goes in Bad Cat Mark Sampson Modified Black Cat's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Electro-Harmonix Canyon's modulated voice goes in Blackstar Series ONE 10 AE's effects loop — it's not there to compete with Blackstar Series ONE 10 AE's own airy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon in Bludotone Universal Tone's effects loop, clear of Bludotone Universal Tone's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Milkman Sound The Amp 100's glassy voice out front: Electro-Harmonix Canyon goes in Milkman Sound The Amp 100's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon in Milkman Sound Benson's effects loop, clear of Milkman Sound Benson's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Canyon in Suhr Hombre's effects loop, clear of Suhr Hombre's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Canyon's modulated voice goes in Brunetti Star T Rack's effects loop — it's not there to compete with Brunetti Star T Rack's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Divided by 13 BW 1969 39w Tube Amp Head's dynamic voice out front: Electro-Harmonix Canyon goes in Divided by 13 BW 1969 39w Tube Amp Head's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Park P50B Super Bass's full voice out front: Electro-Harmonix Canyon goes in Park P50B Super Bass's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Canyon in Divided by 13 BTR 23's effects loop, clear of Divided by 13 BTR 23's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Canyon in Suhr SL-15's effects loop, clear of Suhr SL-15's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon in Park P50BH's effects loop, clear of Park P50BH's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon in Cornell Romany 12 Reverb's effects loop, clear of Cornell Romany 12 Reverb's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Canyon in Friedman Amps Box Head Hand-Wired 50-Watt EL34's effects loop, clear of Friedman Amps Box Head Hand-Wired 50-Watt EL34's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon in Two-Rock Bi-Onyx 50W Head's effects loop, clear of Two-Rock Bi-Onyx 50W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Laney Lionheart L20-212's transparent voice out front: Electro-Harmonix Canyon goes in Laney Lionheart L20-212's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon in Blackstar Artisan 100's effects loop, clear of Blackstar Artisan 100's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Canyon in Boss Katana-Bass 60 Combo's effects loop, clear of Boss Katana-Bass 60 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Canyon in Marshall 1974X Hardwired's effects loop, clear of Marshall 1974X Hardwired's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Gear Baby 100 watt head's mid-forward voice out front: Electro-Harmonix Canyon goes in Orange Gear Baby 100 watt head's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Komet 4x12's full voice out front: Electro-Harmonix Canyon goes in Komet 4x12's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Canyon in Supro 1668RT Jupiter's effects loop, clear of Supro 1668RT Jupiter's own gain stage

Comes earlier in the signal chain