Amps that pair well with the Eventide Modulated Delay

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Marshall Super Bass's bright balances out the warm tone

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

1976 Marshall 1959 Super Lead leans bright right where the warm tone needs it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Fender Deluxe Reverb's effects loop, clear of Fender Deluxe Reverb's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay in Boss Acoustic Singer Pro's effects loop, clear of Boss Acoustic Singer Pro's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Fender Hot Rod Series Blues Junior 15W 1x12 Tube Guitar's effects loop, clear of Fender Hot Rod Series Blues Junior 15W 1x12 Tube Guitar's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Bruno Cowtipper 45's effects loop, clear of Bruno Cowtipper 45's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Vox AC-50's effects loop, clear of Vox AC-50's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay in Two-Rock Vintage Deluxe 6V6 40W Head's effects loop, clear of Two-Rock Vintage Deluxe 6V6 40W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes in Suhr SL68 MkII 100-Watt's effects loop — it's not there to compete with Suhr SL68 MkII 100-Watt's own high headroom character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Hiwatt DR504H's effects loop, clear of Hiwatt DR504H's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay in ENGL Ritchie Blackmore Signature v2's effects loop, clear of ENGL Ritchie Blackmore Signature v2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes in Fender Custom ML CuNiFe Wide-Range Humbucker Pre-Wired Stratocaster Pickguard's effects loop — it's not there to compete with Fender Custom ML CuNiFe Wide-Range Humbucker Pre-Wired Stratocaster Pickguard's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay in Fender 'Black Panel' Vibro Champ Amp (1964-1967)'s effects loop, clear of Fender 'Black Panel' Vibro Champ Amp (1964-1967)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Blackstar Artisan 30H Head's effects loop, clear of Blackstar Artisan 30H Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Two-Rock Vintage Deluxe 6V6 40W 1x12 Combo's effects loop, clear of Two-Rock Vintage Deluxe 6V6 40W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay in Laney Klipp's effects loop, clear of Laney Klipp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay in SWR California Blonde's effects loop, clear of SWR California Blonde's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Engl Ritchie Blackmore Signature E650's effects loop, clear of Engl Ritchie Blackmore Signature E650's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Peavey MiniMEGA 1000W Lightweight Bass Head's effects loop, clear of Peavey MiniMEGA 1000W Lightweight Bass Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Bad Cat Cub V EL84's effects loop, clear of Bad Cat Cub V EL84's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Brunetti Singleman H 50/15/2W Head 230's effects loop, clear of Brunetti Singleman H 50/15/2W Head 230's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EBS Classic 450's mid-forward voice out front: Eventide Modulated Delay goes in EBS Classic 450's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay in Peavey MAX 250 250W 1x15 Bass Combo's effects loop, clear of Peavey MAX 250 250W 1x15 Bass Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes in Peavey Max 300's effects loop — it's not there to compete with Peavey Max 300's own mid-forward character

Comes earlier in the signal chain