Pedals that stack with the Fender Hammertone Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Orange Kongpressor in the signal chain, where it won't crowd Orange Kongpressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Providence HBL-4 in the signal chain — it's not there to compete with Providence HBL-4's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Greer Amps Sure Shot Clipping Boost Mini in the signal chain — it's not there to compete with Greer Amps Sure Shot Clipping Boost Mini's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Dunlop MXR Booster Mini, model M293 in the signal chain, clear of Dunlop MXR Booster Mini, model M293's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep J. Rockett Jeff Archer's harmonically rich voice out front: Fender Hammertone Reverb goes after J. Rockett Jeff Archer in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after J. Rockett Steampunk Boost/Buffer in the signal chain, clear of J. Rockett Steampunk Boost/Buffer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Shins Music Shin's Music Velvet Boost in the signal chain, clear of Shins Music Shin's Music Velvet Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Mooer 007 in the signal chain, clear of Mooer 007's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Expression's transparent voice out front: Fender Hammertone Reverb goes after Electro-Harmonix Expression in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Morley 20/20 Volume Plus in the signal chain, where it won't crowd Morley 20/20 Volume Plus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Donner Sustain in the signal chain — it's not there to compete with Donner Sustain's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mile End Effects PreAmp 150's transparent voice out front: Fender Hammertone Reverb goes after Mile End Effects PreAmp 150 in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Luminary V2's octave voice out front: Fender Hammertone Reverb goes after Walrus Audio Luminary V2 in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Xotic AC Booster V2 in the signal chain, clear of Xotic AC Booster V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after FTelettronica Mars Compressor in the signal chain, where it won't crowd FTelettronica Mars Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after NEW!!! Greer Soma 63 Preamp in the signal chain, clear of NEW!!! Greer Soma 63 Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Aphex Punch Factory Compressor in the signal chain, where it won't crowd Aphex Punch Factory Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after SahBro Audio Bad Apple in the signal chain, where it won't crowd SahBro Audio Bad Apple

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Fairfield Circuitry Accountant in the signal chain, where it won't crowd Fairfield Circuitry Accountant

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after MXR M264 FET Driver in the signal chain, clear of MXR M264 FET Driver's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Beetronics Custom Shop Fatbee Alliance Overdrive in the signal chain, clear of Beetronics Custom Shop Fatbee Alliance Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Strymon Compadre Dual Voice Compressor in the signal chain — it's not there to compete with Strymon Compadre Dual Voice Compressor's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Donner Overdrive in the signal chain, clear of Donner Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after One Control Lemon Yellow Compressor in the signal chain, where it won't crowd One Control Lemon Yellow Compressor

Comes earlier in the signal chain