Pedals that stack with the Fender Hammertone Reverb
← everything about the Fender Hammertone Reverb
All 120 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Keeley K-Fil
Keeley
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb after Keeley K-Fil in the signal chain, where it won't crowd Keeley K-Fil
Comes earlier in the signal chain
Dr. Green The Aspirin Compressor
Dr Green
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Dr. Green The Aspirin Compressor's compressed voice out front: Fender Hammertone Reverb goes after Dr. Green The Aspirin Compressor in the signal chain so its lush voice doesn't muddy it
Comes earlier in the signal chain
Friedman Buxom Boost
Friedman
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fender Hammertone Reverb after Friedman Buxom Boost in the signal chain, clear of Friedman Buxom Boost's own gain stage
Comes earlier in the signal chain
Electro-Harmonix Intelligent Harmony Machine
Electro-Harmonix
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb after Electro-Harmonix Intelligent Harmony Machine in the signal chain, where it won't crowd Electro-Harmonix Intelligent Harmony Machine
Comes earlier in the signal chain
Mosky Audio Roller
Mosky Audio
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb after Mosky Audio Roller in the signal chain, where it won't crowd Mosky Audio Roller
Comes earlier in the signal chain
Keeley Aria V2 Compressor
Keeley
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fender Hammertone Reverb after Keeley Aria V2 Compressor in the signal chain, where it won't crowd Keeley Aria V2 Compressor
Comes earlier in the signal chain
Zvex Ooh Wah 2 Custom Handpainted
Zvex
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Fender Hammertone Reverb after Zvex Ooh Wah 2 Custom Handpainted in the signal chain, where it won't crowd Zvex Ooh Wah 2 Custom Handpainted
Comes earlier in the signal chain
Wampler Andy Wood Gearbox
Wampler
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Fender Hammertone Reverb after Wampler Andy Wood Gearbox in the signal chain, clear of Wampler Andy Wood Gearbox's own gain stage
Comes earlier in the signal chain
Mooer Polyphonic
Mooer
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Fender Hammertone Reverb after Mooer Polyphonic in the signal chain, where it won't crowd Mooer Polyphonic
Comes earlier in the signal chain
Mad Professor SOD
Mad Professor
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Fender Hammertone Reverb's lush voice goes after Mad Professor SOD in the signal chain — it's not there to compete with Mad Professor SOD's own transparent character
Comes earlier in the signal chain
Jackson Audio Blossom
Jackson Audio
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Fender Hammertone Reverb after Jackson Audio Blossom in the signal chain, clear of Jackson Audio Blossom's own gain stage
Comes earlier in the signal chain
T-Rex RPDK-0088
T Rex
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fender Hammertone Reverb after T-Rex RPDK-0088 in the signal chain, clear of T-Rex RPDK-0088's own gain stage
Comes earlier in the signal chain
Mad Professor Mad-Sdo
Mad Professor
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Fender Hammertone Reverb after Mad Professor Mad-Sdo in the signal chain, clear of Mad Professor Mad-Sdo's own gain stage
Comes earlier in the signal chain
Free The Tone RJ-2V
Free The Tone
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fender Hammertone Reverb after Free The Tone RJ-2V in the signal chain, clear of Free The Tone RJ-2V's own gain stage
Comes earlier in the signal chain
Caline Blue CP 45 Caline
Caline
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb after Caline Blue CP 45 Caline in the signal chain, where it won't crowd Caline Blue CP 45 Caline
Comes earlier in the signal chain
Electronic Audio Experiments Halberd Discrete Transistor Overdrive
Electronic Audio Experiments
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fender Hammertone Reverb after Electronic Audio Experiments Halberd Discrete Transistor Overdrive in the signal chain, clear of Electronic Audio Experiments Halberd Discrete Transistor Overdrive's own gain stage
Comes earlier in the signal chain
Electronic Audio Experiments Model FeT
Electronic Audio Experiments
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Fender Hammertone Reverb's lush voice goes after Electronic Audio Experiments Model FeT in the signal chain — it's not there to compete with Electronic Audio Experiments Model FeT's own harmonically rich character
Comes earlier in the signal chain
Lehle Sunday Driver II
Lehle
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb after Lehle Sunday Driver II in the signal chain, clear of Lehle Sunday Driver II's own gain stage
Comes earlier in the signal chain
Ibanez PT Gate
Ibanez
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb after Ibanez PT Gate in the signal chain, where it won't crowd Ibanez PT Gate
Comes earlier in the signal chain
Strymon OB.1 Bass
Strymon
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fender Hammertone Reverb after Strymon OB.1 Bass in the signal chain, where it won't crowd Strymon OB.1 Bass
Comes earlier in the signal chain
Spaceman Ixion
Spaceman
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb after Spaceman Ixion in the signal chain, where it won't crowd Spaceman Ixion
Comes earlier in the signal chain
Rodenberg M2-Clean Boost
Rodenberg
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb after Rodenberg M2-Clean Boost in the signal chain, clear of Rodenberg M2-Clean Boost's own gain stage
Comes earlier in the signal chain
Fairfield Circuitry Roger That
Fairfield Circuitry
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fairfield Circuitry Roger That's transparent voice out front: Fender Hammertone Reverb goes after Fairfield Circuitry Roger That in the signal chain so its lush voice doesn't muddy it
Comes earlier in the signal chain
Xotic Super Sweet Booster
Xotic
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb after Xotic Super Sweet Booster in the signal chain, clear of Xotic Super Sweet Booster's own gain stage
Comes earlier in the signal chain