Pedals that stack with the Friedman Dirty Shirley

Electro-Harmonix Cock Fight Plus

Where this leans bright, Friedman Dirty Shirley answers back warm

MXR Fat Sugar

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own

Empress Para EQ

Into a transparent tone, Friedman Dirty Shirley brings the high gain it's missing

Boss AC-3

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own

Electro-Harmonix Nano Pulsar

What Friedman Dirty Shirley brings here leans toward saturated — that's worth building a pairing around

Behringer PB100 Preamp Booster

The transparent tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Henretta Engineering Tone Xciter

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own

Catalinbread Formula 51

Run Friedman Dirty Shirley into that transparent platform and it finally gets some high gain

Strymon NightSky

Run Friedman Dirty Shirley into that transparent platform and it finally gets some high gain — goes in the amp's FX loop (or last, into a clean amp)

Carl Martin 3 Band Parametric EQ

Friedman Dirty Shirley's warm balances out the bright tone

Artec SE-OE3

Into the Dirty Shirley's British-voiced saturation, the SE-OE3's EQ shapes the tone before the amp's own dirt reacts.

Boss FA-1 FET Amp

The transparent tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Wampler Equator Parametric EQ

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

dpFX Pedals Variable Low Pass Filter

Into a low gain tone, Friedman Dirty Shirley brings the high gain it's missing

Homebrew Electronics HBE Detox EQ Paul Gilbert signature

Where this leans bright, Friedman Dirty Shirley answers back warm

EarthQuaker Devices Life

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own

Old Blood Noise Endeavors 3 Band EQ

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

JHS Pedals JHS 3 Series Rotary Chorus

Into a low gain tone, Friedman Dirty Shirley brings the high gain it's missing

Fulltone '69 MkII Fuzz

Friedman Dirty Shirley stacks high gain on top of the mid-forward already here

Fender Engager Boost

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own

JHS Legends of Fuzz Supreme 1972 Japan Fuzz

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

JHS Pedals JHS Tumnus

Run Friedman Dirty Shirley into that transparent platform and it finally gets some high gain

JHS Unicorn

Friedman Dirty Shirley's high gain fills in what this high headroom tone doesn't make on its own

Dr. Scientist Boostbot

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own