Pedals that stack with the Friedman Dirty Shirley

JHS 3 Series Compressor

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own

Outlaw Effects Wrangler

Run Friedman Dirty Shirley into that transparent platform and it finally gets some high gain

Keeley Angry Orange

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Boss RT-2

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own

Roland Corp US LMB-3

Run Friedman Dirty Shirley into that transparent platform and it finally gets some high gain

Electronic Audio Experiments Longsword Eastside Exclusive Mono Camo

Run mid-forward into Friedman Dirty Shirley for more high gain on top

ProCo Lil Rat

Run Friedman Dirty Shirley into that low gain platform and it finally gets some high gain

Catalinbread Tribute Low Gain Overdrive Vari-O-Boost

The low gain tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Tru-Fi The Newton

The transparent tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

SolidGoldFX Oblivion Quad Flange

Layer the Oblivion's shimmering analog flange after the Dirty Shirley's vintage British saturation for texture on an already-dirty signal.

JHS 3 Series Glitch Delay

Friedman Dirty Shirley's high gain fills in what this low gain tone doesn't make on its own — goes in the amp's FX loop (or last, into a clean amp)

Catalinbread Sinkhole

Run Friedman Dirty Shirley into that high headroom platform and it finally gets some high gain — goes in the amp's FX loop (or last, into a clean amp)

Dunlop MDU GCJ95

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

MXR M234 Analog Chorus

The low gain tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Roger Mayer Axis 27

Friedman Dirty Shirley's warm balances out the bright tone

Browne Amplification The Atom Nashville Overdrive

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own

Ibanez TWP10

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Jackson Audio Bloom V2 Compressor/EQ

The Bloom's transparent, MIDI-controlled compression evens dynamics before the Dirty Shirley's own British crunch.

Jackson Audio Broken Arrow Overdrive

Run Friedman Dirty Shirley into that transparent platform and it finally gets some high gain

J. Rockett Rocket

Friedman Dirty Shirley stacks high gain on top of the mid-forward already here — goes in the amp's FX loop (or last, into a clean amp)

Guyatone Wah Rocker WR3

Into a low gain tone, Friedman Dirty Shirley brings the high gain it's missing

Wren and Cuff Irkalla Manifest Fuzz

Run Friedman Dirty Shirley into that low gain platform and it finally gets some high gain

SAE Effects Colossal

Run mid-forward into Friedman Dirty Shirley for more high gain on top

Spaceman Artemis Modulated Filter

Run mid-forward into Friedman Dirty Shirley for more high gain on top