Pedals that stack with the Friedman Dirty Shirley

Ibanez TS Mini Tube Screamer

Friedman Dirty Shirley stacks high gain on top of the mid-forward already here

TC Electronic Triple Flashback Delay

The Triple Flashback's complex, cascading delay belongs in the Dirty Shirley's loop, clear of the amp's own British crunch. — goes in the amp's FX loop (or last, into a clean amp)

Fender Santa Ana Overdrive

Run Friedman Dirty Shirley into that transparent platform and it finally gets some high gain

Electronic Audio Experiments Halberd v2

Friedman Dirty Shirley's high gain fills in what this high headroom tone doesn't make on its own

Caline CP-11 Puffer Fuzz

Run Friedman Dirty Shirley into that high headroom platform and it finally gets some high gain

Fortin Amplification Grind

Friedman Dirty Shirley's high gain fills in what this transparent tone doesn't make on its own

EarthQuaker Devices Arrows Pre-Amp Booster

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Vox V847A Wah

Into a transparent tone, Friedman Dirty Shirley brings the high gain it's missing

Revv Tilt Boost (Shawn Tubbs Signature)

Friedman Dirty Shirley leans warm right where the bright tone needs it

Free The Tone Crunchy Chime OD Natural Booster

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

SB|LB Pedals Freq Boost

Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain

Carl Martin Rock Drive

Into Carl Martin Rock Drive, Friedman Dirty Shirley is right at home: it's built around Marshall-style amps

Catalinbread Dirty Little Secret MkIII

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Chaos Custom Shop Sub Sonic Filter

Run Friedman Dirty Shirley into that high headroom platform and it finally gets some high gain

Electro-Harmonix EHX Tortion

The transparent tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Dunlop Distortion III

Dunlop Distortion III leans into Marshall-style amps, precisely the platform Friedman Dirty Shirley wants

Electro-Harmonix Signal Pad

The transparent tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Dunlop MXR GT-OD Overdrive

Into a low gain tone, Friedman Dirty Shirley brings the high gain it's missing

Vertex Ultraphonix HRM

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Xotic Effects XW-1 Wah

Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain

Catalinbread Silver Kiss MK2 2007 Reissue

The transparent tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Electronic Audio Experiments The Bard

Friedman Dirty Shirley's high gain fills in what this low gain tone doesn't make on its own

Xotic EP-Pro

Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain

Greer Amps Royal Velvet

Into a transparent tone, Friedman Dirty Shirley brings the high gain it's missing