Pedals that stack with the Friedman Dirty Shirley

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Friedman Dirty Shirley for more high gain on top

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Friedman Dirty Shirley brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Friedman Dirty Shirley leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

What Friedman Dirty Shirley brings here leans toward crunchy — that's worth building a pairing around

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Friedman Dirty Shirley for more high gain on top

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Friedman Dirty Shirley answers back warm

Goes in front of the amp

Into the Dirty Shirley's vintage, British crunch, the PA-1QG's precise, upper-mid-focused EQ has real headroom to shape.

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Friedman Dirty Shirley stacks high gain on top of the mid-forward already here

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Friedman Dirty Shirley for more high gain on top

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Friedman Dirty Shirley stacks high gain on top of the mid-forward already here

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Goes in front of the amp

Friedman Dirty Shirley's own crunchy character is the real reason this is worth trying

Goes in front of the amp

Friedman Dirty Shirley's own crunchy character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Friedman Dirty Shirley's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Friedman Dirty Shirley after it and the bright edge settles into something more warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Friedman Dirty Shirley leans warm right where the bright tone needs it

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Friedman Dirty Shirley leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Friedman Dirty Shirley for more high gain on top

Goes in front of the amp