Pedals that stack with the Friedman Dirty Shirley

Silktone Overdrive Plus

Friedman Dirty Shirley leans warm right where the bright tone needs it

Boss CE-5 Chorus Ensemble

Friedman Dirty Shirley leans warm right where the bright tone needs it

Dunlop WHE207 Way Huge Green Rhino Overdrive

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Boss GE-7 Equalizer

What Friedman Dirty Shirley brings here leans toward saturated — that's worth building a pairing around

EarthQuaker Devices Gary V1 Fuzz

Run mid-forward into Friedman Dirty Shirley for more high gain on top

Wampler Plexi-Drive Deluxe

Where this leans bright, Friedman Dirty Shirley answers back warm

Shins Music Shin's Music Double Trouble

Friedman Dirty Shirley stacks high gain on top of the mid-forward already here

Orange Getaway Driver

What Friedman Dirty Shirley brings here leans toward saturated — that's worth building a pairing around

Electro-Harmonix Flatiron Fuzz

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

Mad Professor Supreme Matt Schofield Overdrive

Run Friedman Dirty Shirley into that low gain platform and it finally gets some high gain

Walrus Audio Fundamental Drive

The low gain tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Strymon Sunset Dual Overdrive

The transparent tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Keeley Oxblood Overdrive

Friedman Dirty Shirley's high gain fills in what this high headroom tone doesn't make on its own

Fuzzrocious 420 Fuzz

Friedman Dirty Shirley stacks high gain on top of the mid-forward already here

Browne Amplification Protein V4

Friedman Dirty Shirley's own voicing points at Marshall-style amps, and Browne Amplification Protein V4 delivers it

Catalinbread Karma Suture GE

Into the Dirty Shirley's vintage, British crunch, the Karma Suture's organic germanium clipping has a genuinely raw amp voice to push into.

Wampler Clarksdale

Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain

EarthQuaker Devices Barrows Fuzz Attacker

Friedman Dirty Shirley layers high gain onto an already mid-forward signal

JAM Pedals Rattler mk.2 Distortion

Run mid-forward into Friedman Dirty Shirley for more high gain on top

Mission Engineering NuAudio Nutube Velocity Overdrive/Distortion

The low gain tone has headroom to spare — Friedman Dirty Shirley gives it high gain to fill it with

Alexander Pedals Equilibrium DLX Vintage Modulation

Into the Dirty Shirley's British-voiced saturation, the Equilibrium's vintage tremolo pulse adds movement without disappearing into the amp's own dirt.

Dirty Haggard Audio Mid-Band

Put Friedman Dirty Shirley in front and the mid-forward tone leans further toward high gain

Electro-Harmonix Oceans 12

The Oceans 12's stereo, ambient reverb belongs in the Dirty Shirley's loop, clear of the amp's own British crunch. — goes in the amp's FX loop (or last, into a clean amp)

Wren and Cuff Two Five Drive/Boost

Friedman Dirty Shirley's high gain fills in what this high headroom tone doesn't make on its own