Pedals that stack with the Fryette PSX-240V
← everything about the Fryette PSX-240V
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
J. Rockett Archer
pedal
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
The transparent tone has headroom to spare — J. Rockett Archer leans it toward low gain to fill it in
Goes in front of the amp
Klon KTR
Klon
18% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)
Klon KTR leans this transparent tone toward medium gain, which it doesn't make on its own
Goes in front of the amp
Walrus Audio Voyager Mk II
Walrus Audio
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Walrus Audio Voyager Mk II brings a pull toward mid-forward that's missing
Goes in front of the amp
Dunlop JD-4S Rotovibe
pedal
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Dunlop JD-4S Rotovibe after Fryette PSX-240V in the signal chain, clear of Fryette PSX-240V's own gain stage
Goes in front of the amp
Wampler Mini Ego 76 Compressor
Wampler
11% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Wampler Mini Ego 76 Compressor leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp
Fender Hammertone Reverb
Fender
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Fender Hammertone Reverb in Fryette PSX-240V's effects loop, clear of Fryette PSX-240V's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
JHS 3 Series Oil Can Delay
JHS Pedals
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fryette PSX-240V's transparent voice out front: JHS 3 Series Oil Can Delay goes in Fryette PSX-240V's effects loop so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop