Gibson Es 335 Dot

Blackstar St. James 100

The transparent tone has headroom to spare — Blackstar St. James 100 gives it high gain to fill it with

Synergy SL2 Module

Synergy SL2 Module's high gain fills in what this transparent tone doesn't make on its own

Friedman BE-Mini Head

Friedman BE-Mini Head's high gain fills in what this transparent tone doesn't make on its own

Egnater Tweaker 88 Head

The transparent tone has headroom to spare — Egnater Tweaker 88 Head gives it low gain to fill it with

Ceriatone 2202H

Ceriatone 2202H's high gain fills in what this transparent tone doesn't make on its own

Friedman Jose LTD

Run Friedman Jose LTD into that transparent platform and it finally gets some high gain

Hughes & Kettner Warp 7

Hughes & Kettner Warp 7's high gain fills in what this transparent tone doesn't make on its own

Bad Cat Lynx 50

Bad Cat Lynx 50's high gain fills in what this transparent tone doesn't make on its own

Pigtronix Octava Micro

Into a transparent tone, Pigtronix Octava Micro brings the high gain it's missing

Klon KTR

The transparent tone has headroom to spare — Klon KTR gives it medium gain to fill it with

Tone City Dry Martini

Gibson Es 335 Dot leans into a clean amp's front end, precisely the platform Tone City Dry Martini wants

Fender Hammertone Overdrive

Into Gibson Es 335 Dot, Fender Hammertone Overdrive is right at home: it's built around a clean amp's front end

Ashdown Geezer Butler Signature

Ashdown Geezer Butler Signature is voiced for a clean amp's front end — Gibson Es 335 Dot gives it exactly that

Behringer SF300 Super Fuzz

Behringer SF300 Super Fuzz is voiced for a clean amp's front end — Gibson Es 335 Dot gives it exactly that

Black Arts Toneworks LSTR Fuzz

Gibson Es 335 Dot leans into a clean amp's front end, precisely the platform Black Arts Toneworks LSTR Fuzz wants

ProCo RAT 2

ProCo RAT 2's own voicing points at a clean amp's front end, and Gibson Es 335 Dot delivers it