Pedals that stack with the Greer Black Mountain
← everything about the Greer Black Mountain
All 97 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
MXR Dyna Comp
MXR
36% matchThe Dyna Comp's sustain and squash feed the Black Mountain's heavy fuzz stage a steadier, more even signal to saturate.
J. Rockett Archer
pedal
33% matchThe Archer's creamy, treble-boosted headroom pushes the Black Mountain's stoner-voiced fuzz further.
Electro-Harmonix Deluxe Electric Mistress
Electro-Harmonix
32% matchThe Black Mountain's stoner-voiced fuzz pushes hard against the Deluxe Electric Mistress' shimmering, subtle flange.
Boss DS-2 Turbo Distortion
Boss
30% matchBoth lean stoner and doom — stack the Black Mountain's warm fuzz-leaning gain with the DS-2's biting distortion for a heavier rhythm tone.
Boss OD-1 Overdrive
Boss
28% matchThe Black Mountain's warm, doom-voiced fuzz gives the OD-1's transparent clipping a much heavier front end to push into.
Zvex Seek Trem
Zvex
28% matchAdd the Seek Trem's sequenced pulse after the Black Mountain's stoner-doom fuzz for rhythmic movement on an already-heavy signal.
Free The Tone PA-1QG 10 Band Analog EQ
Free The Tone
27% matchThe Black Mountain's doom-voiced, stoner fuzz gives the PA-1QG's precise, upper-mid-focused EQ a saturated signal to shape.
JHS Clover
JHS Pedals
26% matchGreer Black Mountain's fuzzy fills in what this transparent tone doesn't make on its own
Boss GE-7 Equalizer
Boss
26% matchGreer Black Mountain's own fuzzy character is the real reason this is worth trying
SB|LB Pedals Freq Boost
SB|LB Pedals
26% matchGreer Black Mountain layers fuzzy onto an already mid-forward signal
Pigtronix Philosopher's Tone Micro
Pigtronix
25% matchPhilosopher's Tone Micro's sustain-focused compression ahead of Black Mountain keeps the fuzz's doom-heavy gain stage even and controlled.
Walrus Audio Ages Five-State Overdrive
Walrus Audio
25% matchGreer Black Mountain's fuzzy fills in what this low gain tone doesn't make on its own
Dunlop Dimebag Cry Baby Wah
Dunlop
25% matchGreer Black Mountain stacks fuzzy on top of the mid-forward already here
Paul Cochrane Timmy
Paul Cochrane
25% matchThe Timmy's transparent, treble-cutting drive gives the Black Mountain's stoner-doom fuzz a cleaner front end to sit behind.
MXR M234 Analog Chorus
MXR
25% matchGreer Black Mountain's fuzzy fills in what this low gain tone doesn't make on its own
EarthQuaker Devices Gary V1 Fuzz
EarthQuaker Devices
25% matchGreer Black Mountain stacks fuzzy on top of the mid-forward already here
JHS Colour Box V2
JHS Pedals
24% matchRun the Colour Box after the Black Mountain to shape and clean up the stoner-doom fuzz's frequency spread rather than stacking more dirt on it.
Electro-Harmonix Bass Metaphors
Electro-Harmonix
24% matchRun Greer Black Mountain into that transparent platform and it finally gets some fuzzy
Boss DS-1W Waza Craft Distortion
Boss
24% matchPut Greer Black Mountain in front and the mid-forward tone leans further toward fuzzy
Electronic Audio Experiments Surveyor V2
Electronic Audio Experiments
24% matchGreer Black Mountain's fuzzy fills in what this low gain tone doesn't make on its own
MXR M83
MXR
24% matchThe transparent tone has headroom to spare — Greer Black Mountain gives it fuzzy to fill it with
Outlaw Effects Wrangler
Outlaw Effects
24% matchThe transparent tone has headroom to spare — Greer Black Mountain gives it fuzzy to fill it with
Ashdown James LoMenzo HyperDrive
Ashdown
24% matchGreer Black Mountain stacks fuzzy on top of the mid-forward already here
JHS Legends of Fuzz Supreme 1972 Japan Fuzz
JHS Pedals
24% matchRun mid-forward into Greer Black Mountain for more fuzzy on top
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