Pedals that stack with the Greer Black Mountain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Greer Black Mountain stacks fuzzy on top of the mid-forward already here

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Univox Uni-Vibe after Greer Black Mountain in the signal chain, clear of Greer Black Mountain's own gain stage

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

The Black Mountain's warm, doom-voiced fuzz gives the OD-1's transparent clipping a much heavier front end to push into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Black Mountain's doom-leaning stoner fuzz stacks a second layer of low-end weight onto the Octafuzz's own octave-up fuzz character.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Death By Audio Octave Clang stacks octave on top of the fuzzy already here

Comes later in the signal chain

The Black Mountain's stoner-voiced fuzz pushes hard against the Deluxe Electric Mistress' shimmering, subtle flange.

Comes later in the signal chain

The Black Mountain's doom-voiced, stoner fuzz gives the PA-1QG's precise, upper-mid-focused EQ a saturated signal to shape.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Greer Black Mountain in front and the mid-forward tone leans further toward fuzzy

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Greer Black Mountain stacks fuzzy on top of the mid-forward already here

What Greer Black Mountain brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

Greer Black Mountain's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Greer Black Mountain stacks fuzzy on top of the mid-forward already here

Comes earlier in the signal chain

Run mid-forward into Greer Black Mountain for more fuzzy on top

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Greer Black Mountain for more fuzzy on top

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Greer Black Mountain layers fuzzy onto an already mid-forward signal

Comes earlier in the signal chain

Put Greer Black Mountain in front and the mid-forward tone leans further toward fuzzy

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Greer Black Mountain stacks fuzzy on top of the mid-forward already here

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Greer Black Mountain layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

The low gain tone has headroom to spare — Greer Black Mountain leans it toward fuzzy to fill it in

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

Greer Black Mountain leans this low gain tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → fuzzy)

Greer Black Mountain's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Greer Black Mountain stacks fuzzy on top of the mid-forward already here

Comes later in the signal chain

Greer Black Mountain leans this transparent tone toward fuzzy, which it doesn't make on its own

Comes later in the signal chain

Greer Black Mountain layers fuzzy onto an already mid-forward signal — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain