Pedals that stack with the Greer Southland

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Stack the Southland's transparent push with the Screamer's mid-forward clipping and you get two distinct flavors of low gain, not one doubled up.

Dr. Scientist Frazz Dazzler leans this transparent tone toward low gain, which it doesn't make on its own

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Run fuzzy into Greer Southland for more clean boost on top

Feed a edge of breakup signal into Greer Southland and it comes out closer to clean boost

Comes later in the signal chain

Greer Southland takes that edge of breakup character and pushes it toward clean boost

Comes later in the signal chain

Greer Southland's own transparent character is the real reason this is worth trying

Comes later in the signal chain

Stack Greer Southland on top and a edge of breakup tone tightens toward clean boost

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Bad Stone's resonant, organic phase sweep follows the Southland's transparent, boutique drive for added motion.

Comes later in the signal chain

Greer Southland pushes a edge of breakup tone toward clean boost

Comes later in the signal chain

Feed a edge of breakup signal into Greer Southland and it comes out closer to clean boost

Comes later in the signal chain

Greer Southland takes that edge of breakup character and pushes it toward clean boost

Comes later in the signal chain

Greer Southland takes that edge of breakup character and pushes it toward clean boost

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Universal Audio 1176 Compressor's own compressed character is the real reason this is worth trying

Comes earlier in the signal chain

Stack Greer Southland on top and a edge of breakup tone tightens toward clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Stack Greer Southland on top and a crunchy tone tightens toward clean boost

Comes later in the signal chain

Feed a edge of breakup signal into Greer Southland and it comes out closer to clean boost

Greer Southland takes that edge of breakup character and pushes it toward clean boost

Comes later in the signal chain

Greer Southland takes that edge of breakup character and pushes it toward clean boost

Feed a edge of breakup signal into Greer Southland and it comes out closer to clean boost

Comes earlier in the signal chain

Greer Southland leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Greer Southland stacks clean boost on top of the fuzzy already here

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Greer Southland layers clean boost onto an already fuzzy signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Run fuzzy into Greer Southland for more clean boost on top

Comes later in the signal chain

What Greer Southland brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain