Pedals that stack with the Jackson Audio Bloom V2 Compressor/EQ

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Greer Mizuki blue leans toward harmonically rich, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

EarthQuaker Devices Hoof leans toward crunchy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Carl Martin Purple Moon brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fable's glitchy, granular reverb closes out the Bloom V2's transparent compression and boost with texture and space at the end of the chain. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Sola Sound Tone Bender MkII's own germanium character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Beetronics Swarm's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

JHS Smiley leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Jackson Audio Bloom V2 Compressor/EQ in the signal chain, where it won't crowd Jackson Audio Bloom V2 Compressor/EQ — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dunlop Joe Bonamassa Fuzz Face JB-F3 Copper Top leans toward germanium, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Beetronics Swarm SW1529 Custom brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Rufus's fuzzy, eq'd octave distortion gets evened out by the Bloom V2's transparent compression before the rest of the chain.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Electronic Audio Experiments Eldritch Blast V3's own octave character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Wren and Cuff Eye See '78 Muff Style Fuzz leans toward gritty, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

SONICAKE Fazy Sandwich Classic Fuzz leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

EarthQuaker Devices Dirt Transmitter Rancho de la Luna's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Sola Sound Tone Bender Professional MKII's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Sonicake Fazy Cream Vintage Fuzz leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Fuzz Face Dunlop Jimi Hendrix Fuzz Face Mini leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Zvex Fuzz Factory P025 leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Tru-Fi Super Fuzz Version 2 leans toward octave, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Red Witch Opia's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

ZVEX Fuzz Factory Vertical Vexter leans toward full, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Tru-Fi Super Fuzz PBF Compact Version brings here leans toward octave — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Zvex Razzle Dazzle Fuzz Factory's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain