Pedals that stack with the Maestro PS-1A Phase Shifter

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Electro-Harmonix XO Deluxe Memory Man in the signal chain, where it won't crowd Electro-Harmonix XO Deluxe Memory Man — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Kilobyte's pristine voice out front: Maestro PS-1A Phase Shifter goes after Caroline Guitar Company Kilobyte in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Push the PS-1A's lush, organic phase sweep with the Screamer's mid-forward boost and the phasing has more gain to move through.

Comes earlier in the signal chain

Ibanez TS10 Tube Screamer Classic's own harmonically rich character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Analog Delay's warm voice out front: Maestro PS-1A Phase Shifter goes after MXR Analog Delay in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Maxon AD-9 Pro Analog Delay in the signal chain, where it won't crowd Maxon AD-9 Pro Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after T-Rex Replica Delay in the signal chain, where it won't crowd T-Rex Replica Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Dunlop Echoplex All-Analog Dry Path Delay in the signal chain, where it won't crowd Dunlop Echoplex All-Analog Dry Path Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter's lush voice out front: Walrus Audio Fable goes after Maestro PS-1A Phase Shifter in the signal chain so its smooth voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Strymon TimeLine in the signal chain, where it won't crowd Strymon TimeLine — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Catalinbread Echorec in the signal chain, where it won't crowd Catalinbread Echorec — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Beetronics BeeBeeDee Analog Delay in the signal chain, where it won't crowd Beetronics BeeBeeDee Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Walrus Audio Meraki in the signal chain, where it won't crowd Walrus Audio Meraki — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Boss DM-2W Delay Waza Craft in the signal chain, where it won't crowd Boss DM-2W Delay Waza Craft — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Alexander Pedals Oblivion Vintage Delay in the signal chain — it's not there to compete with Alexander Pedals Oblivion Vintage Delay's own warm character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Rose Modulated Digital Delay's pristine voice out front: Maestro PS-1A Phase Shifter goes after Eventide Rose Modulated Digital Delay in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Malekko Electro-Harmonix Memory Toy Analog Delay in the signal chain, where it won't crowd Malekko Electro-Harmonix Memory Toy Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Magnetic Echo's modulated voice out front: Maestro PS-1A Phase Shifter goes after Keeley Magnetic Echo in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Fjord Fuzz Mime in the signal chain, where it won't crowd Fjord Fuzz Mime — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after NuX NAI-5 Optima Air in the signal chain, clear of NuX NAI-5 Optima Air's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Pigtronix Constellator in the signal chain, where it won't crowd Pigtronix Constellator — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay Llama Mk.3's analog warmth voice out front: Maestro PS-1A Phase Shifter goes after JAM Pedals Delay Llama Mk.3 in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Maestro PS-1A Phase Shifter in the signal chain, where it won't crowd Maestro PS-1A Phase Shifter — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Behringer VD400 Vintage Analog Delay in the signal chain, where it won't crowd Behringer VD400 Vintage Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain