Pedals that stack with the Maestro PS-1A Phase Shifter

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Lovepedal Echo Baby in the signal chain, where it won't crowd Lovepedal Echo Baby — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Matthews Effects The Surgeon Delay V2 in the signal chain, where it won't crowd Matthews Effects The Surgeon Delay V2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after EarthQuaker Devices Silos Multi-Generational Time Reflection in the signal chain, where it won't crowd EarthQuaker Devices Silos Multi-Generational Time Reflection — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Death By Audio Echo Master in the signal chain, where it won't crowd Death By Audio Echo Master — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wampler Metaverse's pristine voice out front: Maestro PS-1A Phase Shifter goes after Wampler Metaverse in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Chase Bliss Tonal Recall Red Knob in the signal chain, where it won't crowd Chase Bliss Tonal Recall Red Knob — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Subdecay EchoBox in the signal chain, where it won't crowd Subdecay EchoBox — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Death By Audio Micro Dream in the signal chain, where it won't crowd Death By Audio Micro Dream — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Strymon EC-1 in the signal chain, where it won't crowd Strymon EC-1 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Strymon Brigadier dBucket Delay in the signal chain, where it won't crowd Strymon Brigadier dBucket Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maxon AD-999's analog warmth voice out front: Maestro PS-1A Phase Shifter goes after Maxon AD-999 in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Mooer Ana Echo in the signal chain, where it won't crowd Mooer Ana Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Donner Yellow Fall in the signal chain, where it won't crowd Donner Yellow Fall — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Dunlop MXR M78 Custom Modified OD, also known as the Bad Ass Modified OD in the signal chain, clear of Dunlop MXR M78 Custom Modified OD, also known as the Bad Ass Modified OD's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after JHS Pedals JHS 3 Series Tape Delay in the signal chain — it's not there to compete with JHS Pedals JHS 3 Series Tape Delay's own slapback character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Lovepedal Dl-1 delay in the signal chain — it's not there to compete with Lovepedal Dl-1 delay's own warm character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Walrus Audio ARP-87 in the signal chain, where it won't crowd Walrus Audio ARP-87 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after NuX Analog Delay in the signal chain, where it won't crowd NuX Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Hoshino Admini Mini Analog Delay in the signal chain, where it won't crowd Hoshino Admini Mini Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Alexander Pedals Now We Are Ghosts Reverb in the signal chain, where it won't crowd Alexander Pedals Now We Are Ghosts Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep BBE Digitech Dod-Rubberneck Rubberneck Analog's analog warmth voice out front: Maestro PS-1A Phase Shifter goes after BBE Digitech Dod-Rubberneck Rubberneck Analog in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after JAM Pedals Delay-Llama-X in the signal chain, where it won't crowd JAM Pedals Delay-Llama-X — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Malekko A.D Omicron Series's analog warmth voice out front: Maestro PS-1A Phase Shifter goes after Malekko A.D Omicron Series in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Providence Chrono Delay's analog warmth voice out front: Maestro PS-1A Phase Shifter goes after Providence Chrono Delay in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain